Doctor Zhivago
Credits
| Title | DOCTOR ZHIVAGO |
| Director | David LEAN |
| Release Year | 1965 |
| Copyright Year | 1965 |
| Production Company | Metro-Goldwyn-Mayer |
| Carlo Ponti Cinematografica | |
| Country | Great Britain |
| USA | |
Cast | |
| Geraldine CHAPLIN | Tonya Gromeko |
| Julie CHRISTIE | Lara |
| Tom COURTENAY | Pasha Antipov/'Strelnikoff' |
| Alec GUINNESS | Yevgraf Zhivago |
| Siobhan McKENNA | Anna Gromeko |
| Ralph RICHARDSON | Alexander Gromeko |
| Omar SHARIF | Yuri Zhivago |
| Rod STEIGER | Komarovsky |
| Rita TUSHINGHAM | Tonya Komarova |
| Adrienne CORRI | Amelia |
| Geoffrey KEEN | Kurt, medical professor |
| Jeffrey ROCKLAND | Sasha |
| Lucy WESTMORE | Katya |
| Noel WILLMAN | Razin |
| Gérard TICHY | Liberius |
| Klaus KINSKI | Kostoyed |
| Jack MacGOWRAN | Petya |
| María MARTIN | gentlewoman |
| Tarek SHARIF | Yuri, aged 8 years |
| Mercedes RUIZ | Tonya, aged 7 years |
| Roger MAXWELL | beef-faced soldier |
| Inigo JACKSON | major |
| Virgilio TEIXEIRA | captain |
| Bernard KAY | bolshevik |
| Erik CHITTY | old soldier |
| José NIETO | priest |
| Mark EDEN | young engineer at dam |
| Emilio CARRER | Mr Sventytski |
| Gerard JERSCH | David |
| Wolf FREES | comrade Yelkin |
| Gwen NELSON | comrade Kaprugina |
| José-Maria CAFFAREL | militiaman |
| Brigitte TRACE | streetwalker |
| Luana ALCAÑIZ | Mrs Sventytski |
| Lili MURATI | train jumper |
| Peter MADDEN | political officer |
| Katharine ELLISON | raped woman |
| María VICO | demented woman |
| Assad BAHADOR | dragoons colonel |
| Michele SILVER | Katya |
Credits | |
| David LEAN | Director |
| Arvid GRIFFEN | Executive Producer |
| Carlo PONTI | Producer |
| Augustin PASTOR | Production Manager |
| Douglas TWIDDY | Production Manager |
| Grace M'CORRY-PALMER | [Production Secretary] |
| Roy ROSSOTTI | 2nd Unit Director |
| Roy STEVENS | Assistant Director |
| Pedro VIDAL | Assistant Director |
| José María OCHOA | Assistant Director |
| Michael STEVENSON | [Assistant Director (2nd)] |
| Peter BEALE | [Assistant Director (2nd)] |
| Barbara COLE | Continuity |
| Irene HOWARD | [Casting] |
| Robert BOLT | Screenplay |
| Boris PASTERNAK | Based on the novel by |
| Freddie YOUNG | Director of Photography |
| Manuel BERENGUER | 2nd Unit Photographer |
| Desmond DICKINSON | [Director of Photography (2nd Unit) |
| Ernest DAY | Camera Operator |
| Denis LEWISTON | [Camera Operator (2nd Unit) |
| Ken WITHERS | [Focus Puller] |
| Tony BUSBRIDGE | [Focus Puller (2nd Unit)] |
| Anthony B. RICHMOND | [Clapper Loader] |
| John CRAWFORD | [Clapper Loader] |
| Ted WORRINGHAM | [Camera Maintenance] |
| J. KERLEY | [Clapper Loader (2nd Unit)] |
| Miguel SANCHO RUIZ | Chief Electrician |
| Ken DANVERS | [Stills] |
| Eddie FOWLIE | Special Effects |
| Norman SAVAGE | Editor |
| John GROVER | [Assistant Editor] |
| John BOX | Production Designer |
| Terence MARSH | Art Director |
| Gil PARRONDO | Associate Art Director |
| Ernest ARCHER | Assistant Art Director |
| Bill HUTCHINSON | Assistant Art Director |
| Roy WALKER | Assistant Art Director |
| Dario SIMONI | Set Decorator |
| Wallis SMITH | [Draughtsman] |
| Gus WALKER | Construction |
| Fred BENNETT | Construction |
| Phyllis DALTON | Costume Designer |
| Mario VAN RIEL | Make-up |
| Grazia DE ROSSI | Hairstylist |
| Anna CRISTOFANI | Hairstylist |
| Maurice JARRE | Music/Music Conductor |
| Paddy CUNNINGHAM | Sound Recording |
| Stan PHILLIPS | [Boom Operator] |
| Franklin MILTON | Re-recording |
| William STEINKAMP | Re-recording |
| Winston RYDER | Sound Editor |
| Hugh MILLER | Dialogue Coach |
| Running Time | 193 |
| Field Length | 17396 ft or 5305 mtrs. |
| Colour Code | Colour |
| Colour system | Metrocolor |
| Sound System | Panavision |
Awards | |
| American Academy Awards (Oscars) | 1965 |
| Best Adapted Screenplay | Robert BOLT |
| American Academy Awards (Oscars) | 1965 |
| Best Cinematography | Freddie YOUNG |
| American Academy Awards (Oscars) | 1965 |
| Best Art Direction - Set Decoration | John BOX |
| American Academy Awards (Oscars) | 1965 |
| Best Art Direction - Set Decoration | Terence MARSH |
| American Academy Awards (Oscars) | 1965 |
| Best Art Direction - Set Decoration | Dario SIMONI |
| American Academy Awards (Oscars) | 1965 |
| Best Original Score | Maurice JARRE |
| American Academy Awards (Oscars) | 1965 |
| Best Costume Design | Phyllis DALTON |
Data Copyright ©1993-1998 British Film Institute