Lawrence of Arabia
Credits
Director | David LEAN |
Year | 1962; Release: 1962; Copyright: 1962 |
Production Company | Horizon Pictures (G.B.) |
Country | Great Britain |
Cast | |
Prince Feisal | Alec GUINNESS |
Auda Abu Tayi | Anthony QUINN |
General Allenby | Jack HAWKINS |
Turkish Bey | José FERRER |
Colonel Harry Brighton | Anthony QUAYLE |
Mr Dryden | Claude RAINS |
Jackson E. Bentley | Arthur KENNEDY |
Gasim | I.S. JOHAR |
Majid | Gamil RATIB |
Tafas | Zia MOHYEDDIN |
General Murray | Donald WOLFIT |
Sherif Ali ibn el Kharish | Omar SHARIF |
T.E. Lawrence | Peter O'TOOLE |
Farraj | Michel RAY |
Daud | John DIMECH |
medical officer | Howard MARION-CRAWFORD |
club secretary | Jack GWILLIM |
R.A.M.C. colonel | Hugh MILLER |
[vicar at St Paul's] | Noel HOWLETT |
[reporter at St Paul's] | Jack HEDLEY |
[Corporal Hartley, map room] | Ian MACNAUGHTON |
[Corporal William Potter, map room] | Harry FOWLER |
[MP, map room] | John BARRY |
[captain, officer's club] | Bruce BEEBY |
[staff-major, Murray's aide] | Patrick KAVANAGH |
[Corporal Jenkins] | Norman ROSSINGTON |
[Selim, Koran reciter] | Henry OSCAR |
[elder Harith] | John RUDDOCK |
[Auda's son] | Kamal RASHID |
[voice of motorcyclist, Suez Canal] | David LEAN |
[driver, Cairo] | Roy STEVENS |
[sergeant, Cairo] | Fred BENNETT |
[driver, Cairo] | Peter DUKELOW |
[bartender, officer's club] | Cyril SHAPS |
[officer, officer's club] | Daniel MOYNIHAN |
[Turkish sergeant] | Fernando SANCHO |
[artilery general, field briefing] | Clive MORTON |
[infantry general, field briefing] | John ROBINSON |
[cavalry general, field briefing] | Basil DIGNAM |
[Talal] | Mohammed HABACHI |
[Khitan of Aleppo] | Cher KAOIU |
[Tracey, Allenby's ADC] | Kenneth FORTESCUE |
[sheik, Arab Council] | Peter BURTON |
[driver, end sequence] | Bryan PRINGLE |
[regimental sergeant major] | Stuart SAUNDERS |
[2 British officers/Arab sheik] | Barry WARREN |
[soldier with pipe, officer's club] | Robert BOLT |
[.] | John BENNETT |
Credits | |
Directed by | David LEAN |
Produced by | Sam SPIEGEL |
Screenplay by | Robert BOLT |
Screenplay by | Michael WILSON |
Director of Photography | Freddie YOUNG |
Editor | Anne V. COATES |
Production Designed by | John BOX |
Music Composed by | Maurice JARRE |
[Production Executive (13.9-17.11.61)] | Hugh PERCEVAL |
[London Unit Representative] | Lew THORNBURN |
Production Manager | John PALMER |
[Production Manager (3.9.-6.10.62)] | R.L.M. DAVIDSON |
Location Manager | Douglas TWIDDY |
[Production Consultant] | André de TOTH |
[Production Assistant] | Eva MONLEY |
[Production Assistant (25.4.-28.7.62)] | Otto PLASCHKES |
[Production Secretary] | McCORRY. Grace |
[Production Secretary] | Noreen HIPWELL |
[Production Secretary (8.5.-2.10.61] | Pat MOON |
[Production Secretary (2.1.-15.12.61)] | Maureen WHITTY |
[Production Secretary (2.1.-15.12.61)] | Pamela MOORE |
[Prodn Secretary (Morocco 18.5.-7.9.62)] | Barbara BACK |
[Prodn Secretary (Morocco 9.7.-14.9.62)] | Nicole APOTEKER |
[Production Representative] | Mildred McCARGAR |
[Secretary to Mr Spiegel] | Jean MENZ |
[Unit Office Runner (24.4.61-21.9.62)] | Peter BEALE |
[Unit Office Runner (22.8.62-)] | John DUNKLEY |
[Research] | Marie BUDBERG |
2nd Unit Director | André SMAGGHE |
2nd Unit Director | Noël HOWARD |
Assistant Director | Roy STEVENS |
[Assistant Director (1st)] | Ted STURGIS |
[Assistant Director (2nd)] | David TRINGHAM |
[Assistant Director (2nd)] | Bryan COATES |
[Assistant Director (2nd)] | Michael STEVENSON |
Continuity | Barbara COLE |
[2nd Unit Continuity (11.8.-24.8.62)] | Lee TURNER |
[Assistant Continuity (22.7.-6.10.61)] | Josie FULFORD |
Casting Director | Maude SPECTOR |
2nd Unit Photography | Skeets KELLY |
2nd Unit Photography | Nicolas ROEG |
2nd Unit Photography | Peter NEWBROOK |
Camera Operator | Ernest DAY |
[Camera Operator (12.5.-28.7.62)] | Ginger GEMMELL |
[Camera Operator (2.7.-31.8.62)] | Ceri DAVIES |
[Camera Operator (24.5.-31.8.62)] | Alex THOMSON |
[Focus Puller] | Ken WITHERS |
[Focus Puller (24.5.-31.8.62)] | Mike FOX |
[Focus Puller (2.7.-31.8.62)] | Mervyn WILSON |
[Focus Puller (26.4.-23.6.61)] | Hubert DAVEY |
[Focus Puller (28.6.-6.10.61)] | Kevin KAVANAGH |
[Clapper Loader] | Ron ANSCOMBE |
[Clapper Loader] | Bobby STILWELL |
[Clapper Loader (19.6.-31.8.62)] | Michael TOMLIN |
Chief Electrician | Archie DANSIE |
Special Effects | Cliff RICHARDSON |
Art Director | John STOLL |
[Art Director] | Ben ROGERS |
[Art Director (18.3.-20.7.62)] | Stephen GRIMES |
[Art Director (12.1.-27.4.62)] | Tony MASTERS |
Assistant Art Director | Roy ROSSOTTI |
Assistant Art Director | George RICHARDSON |
Assistant Art Director | Terence MARSH |
Assistant Art Director | Tony RIMMINGTON |
[Assistant Art Director] | Wallis SMITH |
[Assistant Art Director] | Charles BISHOP |
Set Dresser | Dario SIMONI |
[Art Dept Secretary (20.2.-7.4.61)] | Penny WORTH |
[Art Dept Secretary (20.2.-7.4.61)] | Valerie FREEMAN |
[Draughtsman] | Roy STANNARD |
[Draughtsman] | Michael LAMONT |
[Draughtsman (3.2.-18.2.61)] | Alan TOMKINS |
[Draughtsman (3.2.-18.2.61)] | Roy WALKER |
[Sketch Artist] | Arthur THOMPSON |
Property Master | Eddie FOWLIE |
[Production Buyer] | John HIGGS |
[Production Buyer] | Edward RODRIGO |
Construction Manager | Peter DUKELOW |
Construction Assistant | Fred BENNETT |
Costume Designer | Phyllis DALTON |
Wardrobe | John WILSON-APPERSON |
Make-up | Charles PARKER |
Hairdresser | A.G. SCOTT |
[Music] Played by | London Philharmonic Orchestra |
[Music] Conductor | Adrian BOULT |
Orchestrations | Gérard SCHURMANN |
[Music Co-ordinator] | Morris W. STOLOFF |
Sound Recording | Paddy CUNNINGHAM |
Sound Dubbing | John COX |
Sound Editor | Winston RYDER |
[Foley Artist] | Beryl MORTIMER |
[Principal Military Adviser] | L.E.M. PEROWNE |
[Military Adviser] | Colonel R.C. HUTT |
[Liaison Officer] | Wing Commander Jock DALGLEISH |
[Aviation Stunts] | John CREWDSON |
[Transport Manager (8.5.-13.10.61)] | Peter MIDDLEMISS |
[Austin Mechanic] | Bert HOLLIDAY |
[Radio Technician (15.7.-29.9.61)] | Christopher MILES |
[Quantity Surveyor (10.4-31.5.62)] | Anthony LEWIS |
[Rolls Royce Mechanic] | Richard FORD |
[Dialogue Coach] | Hugh MILLER |
Reconstructed and Restored by | Robert A. HARRIS |
Restoration Produced by | Robert A. HARRIS |
Restoration Produced by | Jim PAINTEN |
[Restoration] Assistant | Jude SCHNEIDER |
[Restoration] Assistant | Maggie FIELD |
[Restoration] Assistant | Joanne LAWSON |
[Restoration] Editorial Consultant | Anne V. COATES |
[Restoration] Sound Consultant | Richard L. ANDERSON |
[Restoration] Re-recording Mixer | Gregg LANDAKER |
[Restoration] Special Thanks to | Martin SCORSESE |
[Restoration] Special Thanks to | Steven SPIELBERG |
[Restoration] Special Thanks to | Jon DAVISON |
[Restoration] Special Thanks to | David LEAN |
Studio | Shepperton Studios |
[Tests circa 1960 filmed at] | MGM British Studios |
[Moroccan Studios] | Andromeda Studios (Ouarzazate, Morocco) |
Awards | American Academy Awards (Oscars) 1962 - Best Film British Academy Awards (Baftas) 1962 - Best Film 1962 - Best British Film 1962 - Best Actor - Peter O'TOOLE 1962 - Best Screenplay - Robert BOLT American Academy Awards (Oscars) 1962 - Best Director - David LEAN 1962 - Best Cinematography - Freddie YOUNG 1962 - Best Art Direction - Set Decoration - John BOX 1962 - Best Art Direction - Set Decoration - John STOLL 1962 - Best Art Direction - Set Decoration - Dario SIMONI 1962 - Best Sound - John COX 1962 - Best Film Editing - Anne V. COATES 1962 - Best Original Score - Maurice JARRE |
Running Time | 207 minutes |
Length | 24975 ft, 7617 m |
Colour, Sound | |
Format | Panavision |
Data Copyright © British Film Institute