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
Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
Written on the Wind - Michael Eaton asks: what can Hollywood's ever-present scandal tell us about the faultlines in American society?
Amores perros looks at life in Mexico City through the eyes of a myopic ex-revolutionary, an amputee model and a pack of dogs. Edward Lawrenson celebrates the film's achievement and Bernardo Pérez Soler talks to debut director Alejandro González Iñárritu
Nicolas Cage is as good as ever in the war romance Captain Corelli's Mandolin, but why is the film nostalgic for old-style Hollywood, and why is the US so keen on the Europudding, asks José Arroyo
Chantal Akerman's rereading of Proust transfers her own obsessive nature to a male character who wants to get inside his lover's mind. She talks to Nick James about her new film La Captive
In 1910 the Pathé rooster crowed supreme and 10 years later Feuillade had redefined French cinema. In between the industry almost collapsed. Richard Abel charts the decade when France gave the US a run for its money
Our quarterly round-up of the latest titles
Ken Loach's latest film is his first set in Los Angeles, but this exposé of labour relations in the City of Dreams is no Hollywood sell out, argues Peter Matthews