Primary navigation

Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
And the winner is... the results of Sight & Sound's 2002 international Critics' and Directors' Polls
It's stiff upper lips all round as British films fail in the Critics' Poll. Nick James wonders whether realism has ruined their chances
Under a new artistic director, the Edinburgh film festival has gone from strength to strength, says Nick James. S&S reviews three of its thoroughly arthouse pleasures
Aged 84, Ingmar Bergman is returning to film-making. In an exclusive interview he talks to Stig Björkman about the erotics of light and the patchy genius of Dogme
Sam Mendes has turned graphic novel Road to Perdition into a visual triumph in which Paul Newman and Tom Hanks give their best-ever performances. By Kevin Jackson
Secret Ballot uses a day in the life of a female election agent to debate the benefits of democracy to Iran. Director Babak Payami describes its surreal images to David Jays
Ian Christie analyses the findings and explains why polls should be taken more seriously. Plus 250 critics and directors cast their votes. Plus Cameron Crowe, Roger Corman, James Toback, Jonathan Glazer, Terence Davies and others on what the top ten mean to them
The darkly comic Dog Days uncovers the seedy underside of suburban life in Vienna - and plays like arthouse Big Brother. By Richard Falcon