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
Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
With his new film Far from Heaven director Todd Haynes, like Fassbinder before him, has been inspired to new heights by Douglas Sirk's All That Heaven Allows.
Spike Jonze and Charlie Kaufman's Adaptation puts the self-obsession of the screenwriter centre stage. Henry Bean thinks it's something to celebrate. Plus Michael Eaton talks Robert McKee with Brian Cox.
Nick James discusses the Sirk style with Todd Haynes.
The Magdalene Sisters exposes the church's virtual enslavement of young Irishwomen with clear-eyed outrage. Nick James talks to writer-director Peter Mullan about Catholicism, cleanliness and community theatre.
Neil Jordan's remake of Bob le flambeur gives a global spin to a film that already wedded American gangster style to a very French sense of place. Ginette Vincendeau on the cultural identity of The Good Thief.
Farewell to 2002s roll of lost and lamented. Compiled by Bob Baker. Plus tributes to Naseem Banu, Phyllis Calvert, James Cobum, J. Lee Thompson and Andre de Toth.
Charting the double life of US sitcom star Bob Crane, Paul Schrader's Auto Focus is a darker antidote to Boogie Nights. By Linda Ruth Williams.