February 2004
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Features
The Last Frontier
Westerns since The Searchers have failed to show the realities of inter-racial relationships - and Ron Howard's The Missing is no exception, argues David Thomson.
Afghan Aftermath
Siddiq Barmak's acclaimed Osama presents a microcosm of life under the Taliban. But will it resurrect Afghan cinema, asks David Calhoun.
Shock Corridors
Gus Van Sant's Elephant recreates the Columbine killings in a style that's resolutely anti-entertainment. He explains his strategy to SF Said.
Our Town
Dogville is Lars von Trier's strongest and most star-studded movie yet. J.Hoberman places its tale of martyrdom, revenge and hypocrisy within a very American tradition.
Excursion To Hell
The late Elem Klimov's Come and See broke new ground in depictions of the horrors of war. John Wrathall celebrates a director whose career was blighted by Soviet bureaucracy. Plus Julian Graffy remembers that heady era when the films were jumping off the shelves.
Selected reviews
Film of the Month: Cold Mountain
Anthony Minghella's Cold Mountain, set during the American Civil War, chimes unexpectedly with the current climate, says Edward Buscombe.
Reviews in this issue:
- Amandla! A Revolution in Four Part Harmony
- Bartleby
- Big Fish
- Black and White
- Cold Creek Manor
- Film of the Month: Cold Mountain
- Cremaster 2
- Dead End
- Dogville
- The Dreamers
- Elephant
- The Emperor's New Clothes
- The Fighting Temptations
- Game Over Kasparov and the Machine
- Girl with a Pearl Earring
- It's All about Love
- Kitchen Stories
- The Last Samurai
- The Late Twentieth
- The Lord of the Rings The Return of the King
- A Mighty Wind
- The Principles of Lust
- The School of Rock
- Shoreditch
- $teal
- Sylvia
- Tattoo
- The Three Marias
- Timeline