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
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Westerns since The Searchers have failed to show the realities of inter-racial relationships - and Ron Howard's The Missing is no exception, argues David Thomson.
Siddiq Barmak's acclaimed Osama presents a microcosm of life under the Taliban. But will it resurrect Afghan cinema, asks David Calhoun.
Gus Van Sant's Elephant recreates the Columbine killings in a style that's resolutely anti-entertainment. He explains his strategy to SF Said.
Dogville is Lars von Trier's strongest and most star-studded movie yet. J.Hoberman places its tale of martyrdom, revenge and hypocrisy within a very American tradition.
The late Elem Klimov's Come and See broke new ground in depictions of the horrors of war. John Wrathall celebrates a director whose career was blighted by Soviet bureaucracy. Plus Julian Graffy remembers that heady era when the films were jumping off the shelves.
Anthony Minghella's Cold Mountain, set during the American Civil War, chimes unexpectedly with the current climate, says Edward Buscombe.