Primary navigation

Unfortunately this issue has sold out from our back issues department. However selected features and reviews are available here. Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
Father and Son has been called autobiographical, homoerotic and 'sunny', but director Sokurov denies all. Julian Graffy looks into a deep Russian mystery.
This month Sight & Sound ran a series of special features celebrating the relationship between cinema and music. We invited film-makers and musicians from across the world to reflect on this subject by inviting them to respond to three questions about music and the movies. Their responses formed the centrepiece of our coverage. Here we publish their remarks in all their unedited glory.
The Motorcycle Diaries charts the future Che Guevara's South American road trip. Nick James talks to director Walter Salles. Plus Jim Jarmusch's Coffee & Cigarettes; The Hamburg Cell; Valerio Zurlini retrospective.
Metallica: Some Kind of Monster mixes heavy metal and therapy to startling effect. Nick Roddick joins the bad-boy band at the premiere party.
Memories of Murder's account of an unsolved real-life serial-killer case provides a good way for UK audiences to explore Korean cinema. Tony Rayns talks to director Bong Joon-Ho.
A film of Hellboy comic has more than its share of fights and monsters. But it brings the character to life with a big red heart, says Kim Newman.