Primary navigation

Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
The upbeat mood of Godard's Notre musique, in which war is hell, Sarajevo a purgatory and heaven a lakeside idyll, was not built to last. "It's exhausted," the director tells Michael Witt.
No one better represents the pro actor's contempt for fame than Jerry Lewis. Praised by French critics as an auteur but viewed with suspicion here as a rubber-faced void, Lewis is the essence of star angst, says Jonathan Romney.
Frank Miller's brutal comic-book series Sin City uses expressionist graphics to convey its characters' darkest fears. And in Robert Rodriguez's CGI-tooled adaptation it's forever night, says Graham Fuller. Plus The director tells Mark Olsen why his actors prefer to perform alone in front of the greenscreen.
Arnaud Desplechin's Kings and Queen weaves psychoanalysis and myth into a realist drama. Is it France's answer to Woody Allen and Hitchcock, asks Muriel Zagha.
Inside Deep Throat charts the story of a cheap porn flick that became a cultural and political cause célèbre. Linda Ruth Williams recalls the heady seductions of porno chic.
Gregg Araki's Mysterious Skin is a ravishing film about the after-effects of child abuse. He talks about its imagery with SF Said
Veteran African film-maker Ousmane Sembéne's Moolaadé takes a stand against female excision. But it's far from a simple polemic, says Philip Kemp.