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
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Veteran animator Hayao Miyazaki's new film Howl's Moving Castle draws on motifs from his past work and anime's longstanding fascination with children's literature, writes Andrew Osmond.
Dealing with an all-girls' boarding school located in the middle of a dense forest, Lucile Hadzihalilovic's Innocence is like Enid Blyton re-written by Kafka. Jonathan Romney is impressed with its uncanny atmosphere.
Financed by a major Hollywood studio, A History of Violence is David Cronenberg's most accessible film since The Fly. But, argues Graham Fuller, this ostensible thriller is also a transgressive fantasy about masculinity, middle-age repression and the dark side of the American psyche.
Roman Polanski's films pull you into atmospheric interior worlds that are saturated by desire, fear and fantasy. On the release of the director's adaptation of Oliver Twist, Mark Cousins celebrates Polanski's extraordinary career. Plus, Patrick Fahy reports from the set of Oliver Twist.
Loretta Young's beauty was an integral component of her memorable screen performances. Gilberto Perez celebrates the allure of an actress who was one of Cagney's few equals Cover.
Jonathan Romney assesses, Saraband, the great Ingmar Bergman's commandingly restrained and militantly wintry farewell film.