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The Long Day Closes captures the sounds of a postwar iverpool childhood and the redeeming power of the picturehouse. But why can't director Terence Davies keep in regular work asks David Thompson
Rachid Bouchareb's World War II drama Days of Glory reveals how France was liberated by North African soldiers whose efforts were wiped from history. What happened to their fight for freedom when they got home, asks Ali Jaafar
The Consequences of Love provided a stylish spin on the theme of foolish men and beautiful women. Now Paolo Sorrentino is back with The Family Friend, the tale of an ugly loanshark told with breathtaking panache. By Jonathan Romney
Unpredictable, frustrating, overreaching, underrated - Richard Linklater is a film-maker for our times. Here he tells Tim Robey why he took on the meat-processing industry exposé Fast Food Nation
Americans Clint Eastwood, Steven Soderbergh and Robert De Niro flew into the festival with World War II and Cold War reruns, but it was two French costume dramas based on English classics that impressed Nick James and Jonathan Romney PLUS Tony Rayns uncovers the camp heart of the Forum; Geoff Andrew on Golden Bear winner Tuya's Marriage; Ali Jaafar on Beaufort's Silver Bear
Is today's American indie cinema anything more than a refuge for slumming stars in tales of dysfunction and depression, funded by the very system it supposedly opposes? Mike Atkinson reports PLUS Amy Taubin, Howard Feinstein, B. Ruby Rich and Hannah McGill offer their pick of US indie highlights
A new voice in American independent cinema, Ryan Fleck uses Half Nelson to probe the relationship between a stoned Brooklyn teacher, his drug dealer and his drug-running female pupil. Pay attention, says Ryan Gilbey
Tim Lucas on a potent and bloodsoaked tale of saints and sinners set at the height of the Sino-Japanese war