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
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Terrence Malick's Badlands now seems less a study of alienated youth and more like a screwball Western,argues David Thomson
Frederick Wiseman's dedication to chronicling American civic life should not distract us from his great artistry. By Nicolas Rapold
On the eve of a major retrospective and the release of Changeling, his latest film , Clint Eastwood gives a career interview to Geoff Andrew, who wonders if this successor to John Ford and Howard Hawks just might be the best director in America today PLUS Nick James on 'the man with no name' and the origins of his poncho
Decades after scenes from Fritz's Lang's Metropolis disappeared, and were thought lost for ever, they have turned up on a print in Argentina. Karen Naundorf follows the trail to Buenos Aires
Carl Theodor Dreyer's Vampyr was a horror movie ahead of its time, says Casper Tybjerg PLUS Michael Brooke on Dreyer's life and career
Reha Erdem's Times and Winds is a winning portrait of village life that earns him a place in the front rank of Turkish directors, says Nick James
Andrey Zvyagintsev's visually powerful and haunting second film explores the themes of family and masculinity in crisis says Julian Graffy and confirms the director's place at the forefront of the new wave of Russian cinema
Kawamoto Kihachiro's stop-motion animations are brimming with life, breath and soul. Tim Lucas is captivated