Cherry Falls

USA 1999

Reviewed by Danny Leigh

Synopsis

Our synopses give away the plot in full, including surprise twists.

Cherry Falls, Virginia. A woman, her face concealed, kills a pair of adolescent sweethearts. When Sheriff Brent Marken discovers them, each has the word "virgin" carved into their bodies. At school the next day, the students are in uproar, despite the calming words of teacher Leonard Marliston, to whom Marken's martial-arts enthusiast daughter Jody has formed a strong attachment. That evening, another girl is murdered, again with "virgin" carved on her body. Marken calls a parents' meeting; Jody and her friend Timmy sneak in and overhear mention of the link between the murders. The killer appears in a hallway. Jody hides, then finds Timmy's corpse, marked as a virgin.

The following day, the students discover the killer is targeting virgins; they plan a party to lose their virginities. Jody hears principal Tom Sisler referring to the killer as Linda Lee Sherman, a student who left town 25 years ago. Quizzing her mother, she learns Sherman was the victim of a rape in which both Sisler and her father participated. Sisler is found dead, "virgin not" etched into his forehead. Jody visits her ex-boyfriend Kenny aiming to lose her virginity. They argue: he leaves for the party, she to Marliston's house. Marliston reveals himself to be both Sherman's son and the killer; Sheriff Marken is already dead in his basement. Jody escapes to the party, but Marliston, in full drag, chases her with an axe. Jody executes a martial-arts move which sends Marliston plunging through a banister to his death.

Review

With the recent box-office success of Keenen Ivory Wayans' Scary Movie, an unsubtle spoof of the already parodic Scream series, one might assume the conventions of the slasher flick had finally been lampooned into redundancy. Not so: while director Geoffrey Wright evidently aspires to greater things than mere generic bloodletting (the title hints at his penchant for the small-town intrigue of Twin Peaks), Cherry Falls remains hidebound by a deep-seated lack of imagination. Granted, the inversion of the form's traditionally prudish value system (here, the homicidal maniac targets high-school students still burdened by chastity) provides a novel conceptual twist; but whether this device justifies the morass of clichés surrounding it remains moot.

While Cherry Falls' spin on sexual politics and occasional moments of Twin Peaks-like deadpan appear designed to distance it from the mediocrity of the herd, the film also resorts to tiresomely hackneyed stock motifs. As with so many teen horror flicks, there are the usual scenes of ruckuses in the school cafeteria and a stream of glutinous one-liners ("She thinks fellatio is a character in Shakespeare" remarks one student of another). Admittedly, we're spared the feverish intertextuality of Scream creator Kevin Williamson's films; all the same, by the time the film's killer begins inviting guileless teens into the basement, you can't help feeling that the film is guided by the same mealy-mouthed logic behind Scream - offering the audience thumpingly obvious material, but winking at them in the hope that such a knowing approach makes it all OK.

Still, there are straws to clutch at. Even when dealing in the most banal of set-pieces, Wright - making a belated US debut eight years after his Australian melodrama Romper Stomper - directs with a certain brash vibrancy, while the Bacchanalian excess of the climactic party sequence oozes a strange, dingy authenticity. Equally screenwriter Ken Selden's premise - in which teenagers risk their lives by holding on to their virginity - does produce the odd impressively arch moment: coming from a culture in which the pro-virginity organisation True Love Waits holds sway over large numbers of American pubescents, there has to be some ironic value to an anxious father grilling his daughter over her status "base-wise", only to shudder in fear when she tells him she's yet to go all the way.

Meanwhile, amid a slew of barely competent performances, Brittany Murphy's heroine lends the enterprise an endearing sheen. After witnessing Murphy steal scene after scene in Clueless and Drop Dead Gorgeous, it's a pleasure to see her in any kind of leading role: next time, you just hope she chooses a less enervated genre for her showcase.

Credits

Director
Geoffrey Wright
Producers
Marshall Persinger
Eli Selden
Screenplay
Ken Selden
Director of Photography
Anthony B. Richmond
Editor
John F. Link
Production Designer
Marek Dobrowolski
Music
Walter Werzowa
©October Films, Inc.
Production Companies
Rogue Pictures presents an Industry Entertainment/Fresh Produce Company production
Executive Producers
Scott Shiffman
Julie Silverman Yorn
Co-executive Producers
Ken Selden
Joyce Schweickert
Production Co-ordinator
Carol Ann Thomas
Unit Production Manager
Christopher Bromley
Location Manager
Mike S. Ryan
Post-production Supervisor
Ninon Tantet
Assistant Directors
Lisa Campbell
Jerry Grandey
Darrell Woodward
Jody Spilkoman
Script Supervisor
Lisa Katcher
Casting
Johanna Ray
Associate:
Mary Jane Fendler
East Coast:
Craig Fincannon
Camera Operators
George Richmond
John Sosenko
Steadicam Operator
Garrett Brown
Visual Effects Supervisor
Brian Jennings
CGI Artist
Robert Emrich
Special Effects
Co-ordinator:
Robert Vazquez
Foreman:
Gary Pilkinton
Technicians:
Michael H. Clark
Walter Garrett
Richard E. Perry
Kathleen Tonkin
Additional Editing
Russ DeNove
Art Director
Nicole Koenigsberger
Set Designer
Michael Ward
Set Decorator
William A. Cimino
Storyboard Artist
Helen Williams
Costume Designer
Louise Frogley
Wardrobe Supervisor
Joyce Lee Kogut
Key Make-up Artist
Elisabeth Fry
Special Effects Make-up
Neal Martz
Special Make-up Effects
KNB EFX Group Inc
Key Hairstylist
Jo Jo Guthrie
Additional Hair
Jennifer A. Santiago
Titles/Opticals
Bipack Inc
Vocalist
Lisbeth Scott
Musicians
Guitars:
Bernie Locker
Trumpet/Flugel Horn:
Roy Wiegand
Music Editor
Dominick Certo
Soundtrack
"Fader"- Drugstore; "Mouse in the Moon" - Peter Bradley Adams; "Faceless" - Bernhard Locker
Supervising Sound Designer
Harry Cohen
Sound Mixer
Jay Meagher
Re-recording Mixers
Ken Teaney
Marshall Garlington
Re-recording Engineer
Michael A. Morongell
Supervising Sound Editors
Andrew DeCristofaro
Steve Williams
Dialogue Editors
Paul Curtis
John C. Stuver
Nancy Nugent
Sound Effects Editors
Jeff Whitcher
Jeff K. Brunello
ADR
Artists:
Sean Rowe
Joan Rowe
Vince Nicastro
Michael Broomberg
Recordist:
Chris Staszak
Mixers:
Eric Thompson
Shawn Kennelly
Matt Beville
ADR
Editors:
Paul Curtis
John C. Stuver
Nancy Nugent
Mixers:
Eric Thompson
Shawn Kennelly
Matt Beville
Stunt Co-ordinator
John Alden
Cast
Brittany Murphy
Jody Marken
Michael Biehn
Sheriff Brent Marken
Gabriel Mann
Kenny Ascott
Jesse Bradford
Rod Harper
Jay Mohr
Leonard Marliston
Douglas Spain
Mark
Keram Malicki-Sanchez
Timmy
Natalie Ramsey
Sandy
Candy Clark
Marge Marken
Amanda Anka
Deputy Mina
Kristen Miller
Cindy
Michael Weston
Ben
Joannah Portman
Sharon
Joe Inscoe
Principal Tom Sisler
Bre Blair
Stacy Twelfmann
Vicki Davis
Heather
Bret McKee
Dylan
Clementine Ford
Annette DeWolde
Margaret Molster
Annette's mother
Michael Goodwin
Annette's father
Steve Boles
1st father
David Lenthall
2nd father
Steve Ayers
3rd father
Candy Aston-Dennis
1st mother
Deborah Hobart
2nd mother
Beatrice Bush
3rd mother
Rick Forrester
Deputy Beau
Tammy Ballance
young Loralee
Rand Courtney
Dennis
Colin Fickes
Dino
Caroline Perreyclear
Jan
D.J. Qualls
Wally
Anthony Michael Harding
coroner
Patt Noday
Stan Michaels, TV reporter
Jessica Driscoll
Diana
Mark Joy
Special Agent Bronhill
Alex Wharff
young Brent Marken
Christopher Evans
young Tom
Michael Cammack
young Harry
Jesse Janowsky
young Jimmy
Christine Offutt Thomas
Barry Privett
couple at restaurant
Christian Durango
young Leonard
Joseph M. West Jr
Agent Majestik
Zachary Knighton
Mr Rolly
Teresa Wells Jones
FBI agent
Certificate
15
Distributor
Entertainment Film Distributors Ltd
8,239 feet
91 minutes 33 seconds
Dolby
Colour by
DeLuxe
Last Updated: 20 Dec 2011