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
Unfortunately this issue has sold out from our back issues department. However selected features and reviews are available here. Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
Bully, Larry Clark's controversial follow-up to kids, focuses on a posse of bored, doped-up teen killers. But is the director more interested in his protagonists' young bodies than in their minds, asks James Mottram.
Wes Anderson's dysfunctional family saga The Royal Tenenbaums is even more audaciously eccentric than Rushmore. Jonathan Romney teases out the wealth of seductively contrived imagery that makes it such a magnificent oddity.
Michael Mann's portrait of Muhammad Ali focuses on political history and popular culture as well as boxing. But is his film The Greatest, asks Adrian Wootton.
Walter Salles' Behind the Sun transposes an Albanian blood-feud tale to the 1910 Brazilian badlands. The director describes its lusciously dramatic images to Nick James.
Last orders for 2001's roll of lost and lamented, plus tributes to Budd Boetticher and Burt Kennedy, Roy Boulting, Samuel Z. Arkoff and Jane Greer. Compiled by Bob Baker.
Paul Julian Smith on Raoul Ruiz's chilling tale of child doubles and mad mothers