Primary navigation

Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
You probably think Muriel's Wedding is a kitsch comedy of little lasting interest. Andy Medhurst argues for its place as one of the greatest lesbian love stories in film history.
Pedro Almodóvar hires two female stars to play expressive near-corpses in Hable con ella. Paul Julian Smith delights as Spain's celebrity director tests his audience's staying power.
This year's Cannes was bursting with good films that successfully mixed art and politics. Our critics pick 30 of the best to look out for. Plus Nick James is seduced by Scorsese's Gangs of New York and asks why Lynne Ramsay's Morven Callar wasn't in Competition.
Charles Burnett, not Spike Lee, shows black American life as it really is, argues Armond White. Plus Burnett talks to Alex Cox about the award-winning Killer of Sheep.
Shawn Levy joins the paparazzi at George Lucas' Skywalker Ranch and sees Star Wars Episode II Attack of the Clones as its maker intended. Plus Edward Lawrenson assesses the film's spectacular effects and points out that less can be more.
Spider-Man mixes charm and spectacle. But Aunt May is unmoved. By Kim Newman