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Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
Spike Lee's 25th Hour translates the fear and anxiety of its jail-bound anti-hero into a hymn to post-9/11 New York. By Amy Taubin
He was Garbo's favourite director and he established Joan Crawford's popular image. So why has Clarence Brown slipped through the critical net, asks Gwenda Young.
Berlin 2003 played host to Hollywood's Oscar contenders, but it was Asian and German films that most impressed. S&S reviews the best of the festival.
Lukas Moodysson's impressive Lilya 4-ever exposes the nasty illegal trade in young women that underlies the Russian dream. By Julian Graffy.
In The Son the Dardennes have produced a film more pared-down than anything from Dogme. Nick James describes an experience where body language says it all. Plus Melanie Goodfellow explores Liege's rich tradition of socially aware film-making.
Béla Tarr's Werckmeister Harmonies charts the nightmare disintegration of a small-town community. Was a whale to blame, asks Jonathan Romney.