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Unfortunately this issue has sold out from our back issues department. However selected features and reviews are available here. Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
Think of Korean cinema and you probably conjure scenes of gangster glamour and extreme violence. But how accurate are western perceptions, asks Grady Hendrix
Ali Jaafar talks to Lady Vengeance director Park Chan-wook
James Bell asks Kim Jee-woon what inspired his A Bittersweet Life
Michael Haneke's Hidden continues his probing of western audiences' guilt at their own privilege. But are the threats we perceive all in the mind, asks Catherine Wheatley
After 24 Hour Party People Michael Winterbottom wanted to work again with Steve Coogan - and chose an audacious adaptation of Laurence Sterne's Tristram Shandy to do so. Liese Spencer talks to star and director about blurring the boundaries between life and art
In the early 1930s Jean Renoir was the Communist Party's darling but by 1938 the dream had turned sour. Robin Buss finds out why
With the documentaries Grizzly Man and The Wild Blue Yonder Werner Herzog has re-established his position as one of our most innovative film-makers. Nick James explores the director's fascination with fear, guilt and survival and shows how his approach and interests rhyme with the times
Munich, Steven Spielberg's film about the Israeli response to the 1972 Palestinian attack, points up the inadequacies of revenge. It may be his most trouble-courting movie yet, argues David Thomson
The story of Pocahontas is known to every US schoolchild - but Terrence Malick's feast for the senses brings new resonance to the tale. By Amy Taubin