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
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With their inventive double bills, repertory cinemas once entertained and challenged their audiences. Sight & Sound asks 52 critics and programmers to do the same by choosing their own fantasy pairings. Introduction by Jane Giles
The resurgence of French family dramas such as Olivier Assayas' Summer Hours reflects an anxiety about the modern family rather than optimism about its future, says Ginette Vincendeau. PLUS Nick James talks to Assayas about fine art, and the fracturing of French culture
Comic books such as Batman, Spider-Man and The Incredible Hulk are a rich source for Hollywood blockbusters but what has Hollywood done for comics and what will the creators of comics do when the adaptation booms ends, asks Roger Sabin
In the second part of our David Lean celebration, Nick James examines how Lean's attempt to reconcile his origins with his time resulted in the epic cinema of Lawrence and why he minded the critics so badly
The Pope's visit to a small town in Uruguay inspires unlikely get-rich-quick schemes among the locals in Fernández and Charlone's understated comedy about crime and catering. By Michael Brooke
Dismissed as folly and very nearly destroyed, Houdini's films escaped oblivion - but only just, writes Tim Lucas