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
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Is The Baader Meinhof Complex a thoughtful examination of Germany's recent past or does it glamorise terrorism? By Andrea Dittgen. PLUS James Bell talks to producer Bernd Eichinger
As the great Portuguese director Manoel de Oliveira turns 100, Jonathan Romney celebrates his life and champions his work
Our critics choose their personal favourite DVDs from 2008
Oliver Stone talks to Nick James about W., his portrait of the most destructive American president in history. PLUS Michael Atkinson on the cinema of the Bush era
Ari Folman's Waltz with Bashir, Israel's first animated feature, is a hallucinatory account of the 1982 invasion of Lebanon. Here Folman describes his unusually haunting imagery in detail to Ali Jaafar
The Dardenne brothers take a surprising new plot-driven direction in their immigration drama The Silence of Lorna explains Geoff Andrew
What ever happened to Abel Ferrara, the director who made Bad Lieutenant and The King of New York, and why are his recent films so hard to see? By Brad Stevens
It packed movie theatres in the 1950s and now it's back: Tim Lucas on the panoramic Cinerama effect
The Tajik director Djamshed Usmonov's latest film, 'To Get to Heaven First You Have to Die', is a darker work than its predecessors but confirms its creator as a bright talent of post-Soviet cinema, says Michael Brooke