December 2009
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Features
Unexpected tenderness
Michael Haneke’s Palme d’Or-winner The White Ribbon is a tale of cruelty set in a north German village in 1913. Despite its monochrome austerity, Catherine Wheatley sees hints of a new softness in the director’s work
PLUS (IN THE MAGAZINE) The Revenge of Children: Geoff Andrew asks the director about the evolution of this disturbing film
Romantic setting
Jane Campion tells Nick James why she didn't want to make just another 19th-century costume drama with Bright Star, her portrait of Keats in love
PLUS (IN THE MAGAZINE) Too Late for Antique Vows: Bright Star may be based on Andrew Motion's Keats biography, but it is less the poet's biopic than a dreamy evocation of the spirit of his poetry, says Graham Fuller
The devil of detail
As Henri-Georges Clouzot's extraordinary unfinished L'Enfer (Inferno) is resurrected after 40 years, David Thompson surveys the career of the French master of suspense
PLUS Ginette Vincendeau profiles Clouzot's star Romy Schneider
PLUS James Bell talks to director Serge Bromberg about his new film Henri-Georges Clouzot's Inferno
In a strange land
Last year, Sergey Dvortsevoy beat Steve McQueen to the best debut feature award at the London Film Festival with his steppe saga Tulpan. Kieron Corless meets him
The greatest film-makers you've never heard of
Their groundbreaking movies have struggled to find distribution in the UK, yet the films of husband-and-wife partnership Jean-Marie Straub and Danièle Huillet show an unparalleled commitment to intense human experience, says Tag Gallagher
Selected reviews
Film of the Month: A Serious Man
While true to the Coens' absurdist spirit, 'A Serious Man' - unusually for them - features a realistic, empathetic character in a realistic setting, the suburban Midwest in the 1960s. It's a fascinating mix, says Michael Atkinson
DVD review: Brigitte Bardot 5-Film Collection
Tim Lucas on an overlooked Brigitte Bardot box-set showcasing some of the French screen icon's less familiar films
Film review: Johnny Mad Dog
Trevor Johnston admires a vivid, terrifying portrait of African child soldiers that challenges its viewers’ wits and bearings
Film review: The Informant!
Matt Damon is at his elusive best in Steven Soderbergh’s discombobulating corporate-crime thriller. Take Michael Atkinson’s word for it
Reviews in this issue:
- Bright Star
- Bunny & the Bull
- Cloudy with a Chance of Meatballs
- Cold Souls
- Couples Retreat
- Cracks
- The Crimson Wing
- The Descent: Part 2
- Disgrace
- Examined Life
- Fame
- The Girlfriend Experience
- Glorious 39
- Halloween II
- The Horseman
- Film review: The Informant!
- The Invention of Lying
- Jennifer’s Body
- Film review: Johnny Mad Dog
- Lala Pipo - A Lot of People
- Made in Jamaica
- The Merry Gentleman
- Morris: A Life with Bells On
- Pandorum
- Paper Heart
- Rage
- Reckoning Day
- The Sea Wall
- Séraphine
- Film of the Month: A Serious Man
- Surrogates
- Surviving Evil
- Taking Woodstock
- Tulpan
- Vanishing of the Bees
- We Live in Public
- The White Ribbon
- wmd.
- Zombieland
- DVD review: Brigitte Bardot 5-Film Collection