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Another Day in Paradise
USA 1998
Reviewed by John Wrathall
Synopsis
Our synopses give away the plot in full, including surprise twists.
Oklahoma, the 70s. After being beaten up, teenage junkie Bobbie is nursed back to health by Mel, a friend's uncle, who gives him heroin to kill the pain. Mel and his girlfriend Sid take Bobbie and his girlfriend Rosie under their wing. Bobbie helps Mel steal speed from a clinic, but they are double-crossed by the white-supremacist gang to whom they try to sell the pills. In the ensuing gunfight, Mel is wounded and the four supremacists killed. On the run, the 'family' take refuge in the home of Reverend, a gun-dealing minister. When they have recovered, Mel contacts Jewels, a gangster who recruits him to rob a jeweller's shop, arranged by the jeweller himself as an insurance scam. Mel and Bobbie break into the jeweller's safe, but find it empty. Returning to the motel where they are staying, Bobbie finds Rosie dead from a heroin overdose.
Mel, Bobbie and Sid go to the home of the jeweller who double-crossed them. Bobbie finds Jewels torturing the jeweller; trying to make him stop, Bobbie accidentally shoots Jewels. The jeweller's wife pays Sid the money they're owed but as the jeweller and his wife are witnesses to Jewels' murder, Mel kills them. Stopping as they make their getaway, Mel tells Sid he is planning to kill Bobbie. Sid warns Bobbie, who runs away. When he finds out, Mel punches Sid. Then they drive off together, apparently reconciled.
Review
Tulsa, Larry Clark's 1971 book of photographs of drug buddies in his Oklahoma hometown, was an acknowledged influence on Gus Van Sant's Drugstore Cowboy, a similarly non-judgmental look at the outlaw lifestyle of a bunch of 70s junkies. Van Sant repaid the favour by executive-producing Clark's first feature, Kids. And now Clark has returned the compliment with his second feature, Another Day in Paradise, a film much closer in tone to Drugstore Cowboy's breezy, happy-go-lucky take on 'shocking' subject matter, than to the starker, grittier approach of Clark's previous work as photographer and film-maker. Like Drugstore Cowboy, Another Day in Paradise offers an intimate look at a surrogate family of drug-users drifting round 70s urban backwaters from one motel to the next, supporting themselves with low-rent heists until, inevitably, they get out of their depth. In contrast to the recent wave of slick 70s nostalgia, (see Boogie Nights), Clark's film actually feels as if it could have been made at the time, complete with grainy, low-contrast photography and a boom microphone wandering intermittently into shot. (Clark's quest for a certain brand of scratchy 70s authenticity is symbolised by the name of the production company he co-runs, Chinese Bookie Pictures, presumably after Cassavetes' 1976 classic, The Killing of a Chinese Bookie.)
Refreshingly, despite finding his original fame as a still photographer and for his meretricious Kids, Clark here seems more interested in performances than look or style. James Woods is one of the film's producers and it's not difficult to see why he leapt at the role of Mel after a decade of colourful but hardly taxing supporting turns in such films as Contact, Casino and Nixon. With the ceaseless self-justifying patter that shrouds his world-weariness, his horror at the open spaces of the countryside, his sudden explosions of violence and equally frightening mirth, Mel is a Woods creation par excellence, in the manic tradition of Salvador's Richard Boyle and The Boost's Lenny Brown.
With Woods on this sort of form, perhaps all a director needs to do is wind him up and point him in the right direction. But Clark deserves credit for extracting an equally striking performance from Melanie Griffith as Sid. The prospect of Griffith injecting herself in the neck, or toting a pump-action shotgun in a tight polo neck might sound laughable. But, against the odds, Clark discovers in her a bruised, Jeanne Moreau-like dignity as Sid struggles to keep the family together. Lou Diamond Phillips contributes a similarly revelatory cameo as the sequinned gangster Jewels. Holding one's own in this company would be a tall order for any inexperienced young actor. But the young leads Vincent Kartheiser and Natasha Gregson Wagner are disappointingly blank, cast more for their skinny, bedraggled, very Tulsa looks than for any performing spark.
Credits
- Producers
- Stephen Chin
- Larry Clark
- James Woods
- Screenplay
- Christopher Landon
- Stephen Chin
- Based on the book by
- Eddie Little
- Director of Photography
- Eric Edwards
- Editor
- Luis Colina
- Production Designer
- Aaron Osborne
- ©Another Day, Inc
- Production Company
- Chinese Bookie Pictures presents a Larry Clark film
- Co-producer
- Scott Shiffman
- Production Co-ordinator
- Sheri Cosentino
- Unit Production Manager
- Gina Fortunato
- Location Manager
- Ralph Meyer
- Post-production Supervisor
- Brad Arensman
- Assistant Directors
- Louis Milito
- Tia Ardran
- Wendy Palmer
- Deandre 'Silky' Russell
- Script Supervisor
- Pamela Leonte
- Casting Director
- John Papsidera
- Additional Photography
- Mark Vargo
- Camera Operators
- Mitch Dubin
- Scott Browner
- Special Effects
- Darryl Pritchett
- Additional Editing
- Paul Petschek
- Art Director
- Erin Cochran
- Set Designer
- Cara Hoepner
- Set Decorator
- Michelle Munoz
- Costume Designer
- Kathryn Morrison
- Costume Supervisor
- Jillian Ann Kreiner
- Make-up
- Key:
- Elisabeth Deitrich Fry
- Additional:
- Judy Yonemoto
- Special Effects Make-up
- Elisabeth Deitrich Fry
- Hair
- Key:
- André Blaise
- Additional:
- Christopher Shihar
- Titles/Optical Effects
- Title House
- Music Supervisors
- Howard Paar
- Robin Urdang
- Soundtrack
- "Boogaloo Down Broadway" by Jesse James, performed by (1) Fantastic Johnny C, (2) Polyester Players; "That's How It Feels" by Donald Covay, Bobby Womack, performed by Soul Clan; "Hard to Handle" by Otis Redding, Alvertis Isbell, Allan Jones, performed by Otis Redding; "Looking for a Fox" by Wilbur Terrell, Clarence Carter, Rick Hall, Marcus Daniels, performed by Clarence Carter; "Here I Am" by Dolly Parton, performed by Percy Sledge; "The Gremmie Part 1" by Gerald Sanders, Norman Sanders, Jesse Sanders, Leonard Delaney, George White, performed by The Tornadoes; "Me & Mrs. Jones" by Kenneth Gamble, Cary Gilbert, Leon Huff, performed by Sun City Girls; "I'll Let Nothing Separate Us" by/performed by Otis Redding; "Soul Sister" by/performed by Allen Toussaint; "Can I Change My Mind" by B. Despenza, C. Wolfolk, performed by Chocolate Genius; "Nervous" by/performed by Willie Dixon; "One More Cup of Coffee" by Bob Dylan, performed by N'Dea Davenport; "If I Lose Your Love" by Abrim Tilmon Jr, James Mitchell Jr, performed by Sam Moore; "Some Kind of Wonderful" by J. Ellison, performed by Soul Brothers Six; "Permanent Press" by Keith Roustor, Greg Dalton, performed by Polyester Players; "I Can't See Myself" by/performed by Clarence Carter; "Every Grain of Sand" by/performed by Bob Dylan
- Sound Mixer
- Arthur Rochester
- Recordists
- Carlos Isais
- Charlie McGovern
- Sound Engineer
- Rick MacLane
- Re-recording Mixers
- John Brasher
- James Williams
- Marty Hutcherson
- Eric Hoeschen
- Supervising Sound Editors
- Lance Brown
- Bruce Fortune
- Dialogue Editors
- Joseph DiVitale
- Lance Laurienzo
- Robert Troy
- Don Warner
- Aaron D. Weisblatt
- Sound Effects Editors
- Paul Aulicino
- Steve Nelson
- Jay Nierenberg
- Kim Secrist
- ADR
- Loop Group:
- L.A. MadDogs
- Mixer:
- Brian Smith
- Foley
- Artist:
- Doug Reed
- Mixers:
- Jason Thibault
- Jussi Tegelman
- Editor:
- Cameron Steenhagen
- Stunt Co-ordinator
- Steven Lambert
- Weapons Wrangler
- Allan Gordon
- Cast
- James Woods
- Mel
- Melanie Griffith
- Sid
- Vincent Kartheiser
- Bobbie
- Natasha Gregson Wagner
- Rosie
- James Otis
- Reverend
- Branden Williams
- Danny
- Brent Briscoe
- Clem
- Peter Sarsgaard
- Ty
- Paul Hipp
- Richard Johnson
- Kim Flowers
- Bonnie Johnson
- John Gatins
- Phil
- Ryan Donahue
- Barry
- Christopher Doyle
- Conan
- Dick Hancock
- Breather
- Pamela Gordon
- waitress
- Jay Leggett
- security guard
- Michael Jeffrey Woods
- big man
- Karen Lee Shepherd
- big man's wife
- Mitchell Orr Jr
- big man's boy
- Leo Fitzpatrick
- guard at Reverend's gate
- Simon Williams
- maître d'
- Steven Gererd Connell
- gas station attendant
- Clarence Carter
- himself
- Roosevelt Bitten
- Greg Dalton
- Donald Hayes
- Ishma Israel
- Maurice James
- Eddie Lott
- Will Miller
- Darryl Richards
- Isaac Smith
- band members
- [uncredited]
- Lou Diamond Phillips
- Jewels
- Certificate
- tbc
- Distributor
- Metrodome Distribution Ltd
- tbc feet
- tbc minutes
- Dolby
- Colour by
- CFI