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Varsity Blues
USA 1998
Reviewed by Mark Morris
Synopsis
Our synopses give away the plot in full, including surprise twists.
West Canaan, Texas, the mid-90s. Jonathan Moxon is the reserve quarterback on the high school football team. The bookish Moxon, however, is on the margins of the team, preferring to spend time with his girlfriend Julie. Even so, he comes into conflict with Bud Kilmer, the coach who has bullied his teams into success for 30 years.
Kilmer forces blocker Billy Bob to keep playing after a severe concussion. Kilmer then blames him for the career-threatening injury to the team's star, Lance Harbor, even though Kilmer had been keeping Harbor on the field with injections of pain killers. Moxon proves a more than adequate replacement for Harbor and the team seems headed for the championship, although Kilmer resents Moxon's attempts to make the team play more imaginatively. After being briefly intoxicated by his success - and alienating Julie - Moxon is reminded of his responsibilities by Kilmer's treatment of African-American running back Wendell and the headache-prone Billy Boy. At half-time in the championship game, Moxon leads a rebellion that drives Kilmer out. The team pull off a dramatic victory.
Review
Recent US films aimed at the teen market have traded heavily on being knowingly self-referential ever since the Kevin Williamson-scripted Scream. As Varsity Blues' star, James Van Der Beek, made his name in the Williamson-conceived television series Dawson's Creek, more of the same might be expected. Varsity Blues, however, plays it resolutely straight. Although momentarily tempted by egotism and a sexy cheerleader, Jonathan Moxon is a character with Gary Cooper-ish moral resolve. Most of the problems raised in the story are settled by the short, inspirational chats he gives the other characters: he builds up Billy Bob's sense of self-esteem and reassures Wendell that all whites are not racist. Coach Kilmer, memorably incarnated by Jon Voight, is by contrast a grotesque monster, whose position in the town is indicated by a Stalinist statue that towers over the football field.
But Kilmer is the film's only villain: the other characters are only occasionally misguided, too caught up in the desire to win - as Moxon says "You never question the sanctity of football." The reverence to the game displayed here runs throughout Varsity Blues: nowhere in the film is there either a truly incisive examination of the pressures of the US school sports system as in Hoop Dreams or the hedonistic rejection of it that occurs in Richard Linklater's Dazed and Confused.
Instead, director Brian Robbins and writer W. Peter Iliff have fashioned a liberal-conservative fantasy which suggests that there would be nothing wrong with the American South's bull-headedly macho culture as long as this system was (somehow) handed over to the literate, non-racist young. The film's confused values are demonstrated by the way the sensitive, chaste Moxon still leads his fellow players on a night of drunken debauchery at a local strip club.
Stylistically, Robbins - whose background lies in teen TV (he was a regular cast member of the US sitcom Head of the Class before directing Good Burger) - never deviates from the mainstream . Despite the involvement of MTV in the production, Varsity Blues is an old-fashioned film: even its more modern elements - some semi-nudity, a hard-rock soundtrack - could have come from any time in the last 30 years. The climatic scenes of the championship game and the team's spirited locker-room rebellion against Kilmer, for instance, are traditionally, almost blatantly, manipulative. Robbins' cast do well enough, although the immense popularity among teenagers of Van Der Beek (who has great trouble here with the Texan accent) remains a mystery. Voight's tyrannical Kilmer is a treat, but the only way to enjoy this film is to surrender to its well-orchestrated, swelling clichés.
Credits
- Producers
- Tova Laiter
- Mike Tollin
- Brian Robbins
- Screenplay
- W. Peter Iliff
- Director of Photography
- Charles Cohen
- Editor
- Ned Bastille
- Production Designer
- Jaymes Hinkle
- Music
- Mark Isham
- ©Paramount Pictures Corporation
- Production Companies
- Paramount Pictures presents in association with MTV Films a Marquee Tollin/Robbins production in association with Tova Laiter Productions
- Executive Producers
- David Gale
- Van Toffler
- Co-producer
- Herbert W. Gains
- Associate Producer
- Elysa Koplovitz
- Production Co-ordinator
- Lisa Swain
- Production Liaison
- Momita Sengupta
- Unit Production Manager
- Herbert W. Gains
- Location Manager
- Ken Lewin
- Assistant Directors
- George Fortmuller
- Albert Shapiro
- Vincent Palmo Jr
- Franklyn M. Gottbetter
- John Gordon
- Script Supervisor
- Pam Vasquez
- Casting
- Bob Krakower
- Sarah Halley Finn
- Associate:
- Dayna Polehanki
- Local:
- Barbara Brinkley
- Toni Cobb
- Voice:
- Barbara Harris
- Aerial Director of Photography
- Phil Pastuhov
- Camera Operators
- Joe Chess
- Orly 'Sonny' Stires
- Steadicam Operator
- Joe Chess
- Art Director
- Keith Donnelly
- Set Decorator
- Tad Smalley
- Costume Designer
- Wendy Chuck
- Costume Supervisor
- Bill Edwards
- Wardrobe Technical Adviser
- Roric Ruegsegger
- Supervising Make-up Artist
- Catherine Conrad
- Supervising Hairstylist
- Bryan Hebert
- Main Titles Design
- Dan Perri
- Titles/Opticals
- Pacific Title/Mirage
- Music Conductor/ Orchestrations
- Ken Kugler
- Music Supervisor
- G. Marq Roswell
- Co-music Supervisor
- Gary Calamar
- Music Co-ordinator
- Thomas Golubic
- Music Editor
- Helena Lea
- Music Recordist/Mixer
- Stephen Krause
- Soundtrack
- "Walkin' the Line" by Wynn Varble, Shawn Camp, Randy Hardison, performed by Shawn Camp; "My Girlfriend Is a Waitress" by Rodney Gilbert Hodges, Joe Cabral, performed by the Iguanas; "Big Country" by Jerome Moross, performed by The City of Prague Philharmonic; "Nice Guys Finish Last" by Billie Joe Armstrong, Frank Wright, Michael Pritchard, performed by Green Day; "The Aggie War Hymn" by J.V. 'Pinky' Wilson; "Dolphin Fight Song" by Jed Leiber; "Problems" by Jaime Marroquin, Lawrence Cevallos, Carlos Hernandez, performed by the Flamin' Hellcats; "Unnoticed" by Mark Kano with Anthenaeum, performed by Anthenaeum; "Love-a-rama" by Leon O. Bass, performed by Southern Culture on the Skids; "Texas Flood" by Larry Davis, Joseph Scott, performed by Stevie Ray Vaughan; "One Foot in Front of the Other" by Lee Roy Parnell, Cris Moore, performed by Lee Roy Parnell; "Disappear" by Christopher Ward, Saffron Henderson, Oliver Leiber, performed by Saffron Henderson; "Are You Ready for the Fallout" by Tony Scalzo, performed by Fastball; "Wayward Wind" by Stan Lebowsky, Herb Newman, performed by Tex Ritter; "Pride of San Jacinto" by James Wallace, performed by The Reverend Horton Heat; "Run" by Ed Roland, performed by Collective Soul; "You Blew Me Off" by/performed by Bobby Bare Jr; "Valley of the Pharaohs" by Jerry Donahue, performed by the Hellecasters; "Lonesome Ain't the Word" by Wynn Varble, Randy Hardison, performed by Shawn Camp; "Same Old Feeling Feeling" by Doodle Owens, Russ Roberts, Christie Freel Speer, performed by Tim Buppert; "If Your Girl Only Knew" by Tim Mosley, Missy Elliott, performed by Aaliyah; "Boom Boom Boom" by Robert Gilbert Hodges, performed by the Iguanas; "Horror Show" by Kevin Cadogan, Stephen Jenkins, performed by Third Eye Blind; "Hot for the Teacher" by Edward Van Halen, Alex Van Halen, Michael Anthony, David Lee Roth, performed by Van Halen; "Voices Inside My Head" by Amber Villanueva Smith, Derrick Trotman, performed by Amber Sunshower; "Thunderstruck" by Angus Young, Malcolm Young, performed by AC/DC; "My Hero" by Dave Grohl, Nate Mendel, Pat Smear, performed by Foo Fighters; "Every Little Thing Counts" by Graham Butt, Andrew Pinching, performed by Janus Stark; "Nitro (Youth Energy)" by/performed by Offspring; "Fly" by Bob Feddersen, John Sullivan, performed by Loudmouth
- Sound Mixer
- Jennifer Murphy
- Re-recording Mixers
- Steve Pederson
- Frank Montaño
- Tom Perry
- Supervising Sound Editor
- Beth Sterner
- Supervising Dialogue Editor
- David Williams
- Dialogue Editor
- Susan Kurtz
- Sound Effects Editors
- Noah Blough
- David Stone
- Ron Eng
- ADR
- Mixer:
- Bob Baron
- Supervising Editor:
- Mary Andrews
- Editor:
- Zack Davis
- Foley
- Artists:
- Sarah Monat
- Robin Harlan
- Mixer:
- Randy K. Singer
- Supervising Editor:
- Thomas Small
- Editors:
- Tammy Fearing
- Christopher Flick
- Scott Curtis
- Aerial Co-ordinator
- Cliff Fleming
- Stunt Co-ordinator
- Russell Towery
- Football Co-ordinator
- Mark Ellis
- Cast
- James Van Der Beek
- Jonathan 'Mox' Moxon
- Jon Voight
- Coach Bud Kilmer
- Paul Walker
- Lance Harbor
- Ron Lester
- Billy Bob
- Scott Caan
- Tweeter
- Amy Smart
- Julie Harbor
- Thomas F. Duffy
- Sam Moxon
- Ali Larter
- Darcy
- Joe Pichler
- Kyle Moxon
- Eliel Swinton
- Wendell
- Richard Lineback
- Joe Harbor
- Tiffany C. Love
- Collette Harbor
- Jill Parker Jones
- Mo Moxon
- Mark Walters
- Chet McNurry
- Brady Coleman
- Sheriff Bigelow
- James Harrell
- Murray
- Tonie Perensky
- Miss Davis
- Jesse Plemmons
- Tommy Harbor
- Sam Pleasant
- cashier
- Tim Crowley
- Coach Bates
- Joe Stevens
- young deputy 1
- Don Cass
- young deputy 2
- James Michael O'Brien
- Brett
- Robert Ellis
- referee
- Robert S. Lott
- middle-aged fan
- Barry Switzer
- Bronco coach
- Mona Lee
- Old Miss Logan
- Kevin Reid
- Wilkes
- Eric Jungmann
- Elliot
- Laura Olsen
- Ryan Allen
- teen babes
- Bristi Havins
- cute naked girl
- John Hyrns
- bald guy
- Rome Azzaro
- young father
- Marco Perella
- Doctor Benton
- Doyle Carter
- doctor/field
- Tony Frank
- clerk
- Sue Rock
- Minnie
- Olin Buchanan
- reporter
- David Williams
- Coyote player
- John Gatins
- smiling man
- Certificate
- 15
- Distributor
- United International Pictures (UK) Ltd
- 9,428 feet
- 104 minutes 46 seconds
- Dolby stereo/DTS sound
- Colour by
- DeLuxe