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
Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
Edward Yang's A One and a Two... has the family traumas of a soap opera glimpsed through half-closed doors. Nick James celebrates a film that captures Taiwan's middle classes on the verge of a nervous breakdown.
It's the most hyped film of the year, but does it deliver? David Thomson asks whether Ridley Scott's camp and knowing Hannibal is anything more than a feast for the eyes.
He's in Susan Sontag's top 10 and his raw, darkly funny movies about marginal lives eked out in extreme circumstances play out in real time. John Orr introduces the world of Hungarian film-maker Béla Tarr
When Kitano Takeshi moved the production of Brother to LA, he and his Pearl Harbor parable became more Japanese. He talks to Tony Rayns about kamikaze yakuzas.
Enemy at the Gates pits Jude Law against Ed Harris in the World War II battle for Stalingrad. Julian Graffy disentangles truth from fiction and explores the film's Russian precedents.
Courtroom dramas, hostile takeover bids, ruthless poaching of personnel – Charles Musser surveys the New York film-making community at the start of the 20th century.
Bridget Jones's Diary has been seen as a British celebration of failure. But at least its heroine gets her man. By Leslie Felperin