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A new French comedy about a girlish do-gooder is outselling Hollywood and attracting praise from politicians of both left and right. Ginette Vincendeau asks what Jean-Pierre Jeunet's Le Fabuleux Destin d'Amlie Poulain tells us about the way the French would like to see themselves.
A favourite of the Coens and Tarantino, Steve Buscemi is the king of indie actors. As he directs his second film Animal Factory, Philip Kemp dissects the jittery unease and querulous yammer that have animated a string of losers and nobodies.
Lara Croft Tomb Raider offers the twin spectacles of short shorts and big guns. No wonder its makers don't need to give their ass-kicking female action hero dialogue or character, says Kate Stables. Plus David McCarthy counts the cost of Final Fantasy: The Spirits Within.
Tran Anh Hung's At the Height of Summer captures three adult sisters at different stages in their sexual development. Geoffrey Macnab talks to the director about Hanoi's gentle streets, the sensuality of food and his debt to Francis Bacon.
From Brief Encounter to The Third Man, 40s London was a golden age. Tom Ryall explores how wartime and its discontents fuelled a new prestige cinema and why audiences still preferred tinsel trash.
Nagisa Oshima's Gohatto tells of sex and swordsmanship among the samurai. Philip Strick unveils its layers of meaning