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
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Paul Thomas Anderson's Punch-drunk Love has failed to attract the acclaim of Boogie Nights or Magnolia. David Thomson thinks he might know what the director's up to
David Hare and Stephen Daldry's The Hours takes sexual politics and Virginia Woolf into the mainstream. Sheila Johnston talks to the creative team behind its production.
A young Mexican's debut feature tackles love, death, redemption and cross-generational sex with skill and sensitivity. Demetrios Matheou talks to Carlos Reygadas about JapĆ³n.
Solaris may be just Steven Soderbergh trying his hand at another genre, but its elegance still dazzles, says Jonathan Romney. Plus Graham Petrie and Vida Johnson revisit the 197OS USSR and the world of Tarkovsky's original.
Is Irreversible a juvenile bid to gain attention or an illuminating take on the rape-revenge movie? Nick James and Mark Kermode argue the toss.
8 Mile replaces Eminem's trademark rage with tenderness. Ryan Gilbey asks if it's a step too far.