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
Unfortunately this issue has sold out from our back issues department. However selected features and reviews are available here. Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
In the The Aviator Martin Scorsese pays tribute to Howard Hughes and Hollywood's golden age. Ian Christie visits the set and watches Leonardo DiCaprio walking on glass.
A cache of films by Edwardian company Mitchell & Kenyon brings to life the ghosts of a lost world. Nick James watches in wonder.
Mike Leigh's new film tackles the issue of abortion in a lovingly recreated 1950. Edward Lawrenson talks to the director of Vera Drake about family values, trusting the audience and escaping the arthouse. Plus Robert Murphy on celluloid depictions of 1950s Britain.
Wong Kar-Wai's 2046 is a set of meditations on the theme of unfulfilled love that takes its lead and atmosphere from In the Mood for Love. Tony Rayns follows the production from 1998, when Wong invited him to work on the script.
Claude Rains had a voice like honey mixed with gravel and an intelligent presence that stole every scene. Philip Kemp salutes Casablanca's slippery Captain Renault.
Team America World Police uses singing puppets to spoof the action genre. But is it gunning for the doves or the hawks, asks Leslie Felperin.