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
Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
Barry Lyndon takes its inspiration from Thackeray's source novel. But in Kubrick's hands the tone - and the hero - are transformed. By Kim Newman
Kubrick's unmade 1990s project Aryan Papers has now inspired an intriguing installation by the Wilson Twins that finally gives its star her moment. By Brian Dillon
David Peace's Red Riding novels have been adapted into three films, 1974, 1980 and 1983. Nick James enters their terrorised, haunted landscape, and talks to screenwriter Tony Grisoni
Stanley Kubrick's films, from Lolita to Eyes Wide Shut, often revolve around sexual relationships. So why, asks Linda Ruth Williams, are they so unsexy?
David Fincher's The Curious Case of Benjamin Button is a bizarre memoir of a reverse-ageing drifter who falls for a growing child. By Graham Fuller PLUS Nick James talks to the director about the technical challenge of ageing Brad Pitt
Laurent Cantet's Palme d'Or winner The Class has crystallised debate in France about the current crisis in education. But it also belongs to a venerable tradition of French school films. By Ginette Vincendeau
After a craze in the 1950s, 3D was dismissed as a gimmick. But with so many new possibilities in digital production and exhibition, its time may have come. By Ben Walters PLUS Nick Roddick talks to 3D proselytiser Jeffrey Katzenberg and Tom Charity talks to Joe Dante on the set of his 3D film The Hole
With blistering action set pieces and a downbeat hero in the shape of Clive Owen, Tom Tykwer's new espionage thriller ,'The International' plays like a deglamorised, back-to-basics Bond. By Samuel Wigley
Directors John M. Stahl and Douglas Sirk both filmed the same bestselling tearjerker. Tim Lucas spots the difference