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
Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
Since the 1960s, independent-minded US film-makers have been revisiting the Great Depression. Michael Atkinson explores the era's enduring appeal
With a little help from its greatest fan Martin Scorsese, Powell and Pressburger's 1948 masterpiece The Red Shoes returns to the screen in full Technicolor glory. But what does a restoration project on this scale really involve, asks Ian Christie
After the maelstrom of Cannes, where his extraordinary new horror film Antichrist earned a Best Actress award for Charlotte Gainsbourg - and a chorus of critical outrage - Lars von Trier talks to Stig Björkman in the calm of his writer's cabin outside Copenhagen
Like Sacha Baron Cohen's previous comic creations Ali G and Borat, Brüno forces us to confront our prejudices. But is the formula wearing thin, asks Kim Newman
With Public Enemies, Michael Mann reinvents the gangster legends of his home city Chicago as his own distinctive brand of alpha-male head-to-head. But it's the look as much as the psychology that seems to fascinate him, says Nick James
For a few thrilling years in 1930s America, the real-life crime wave transformed both the kind of films made in Hollywood and the kind of writers and actors making them - and the gangster movie was born. By Lee Server
A tender portrait of the relationship between a father and his daughter, 35 Shots of Rum reveals a gentler side to risk-taking director Claire Denis. By Catherine Wheatley. PLUS James Bell talks to Claire Denis about trains, Ozu and the perfect father
A bleak tale of people-smuggling in the icy terrain of the US/Canadian border, Courtney Hunt's Oscar-nominated Frozen River exemplifies US indies' new concern with the lives of the poor, argues Ryan Gilbey
In Treatment makes gripping drama out of the conversations of a therapist and his patients. Tim Lucas analyses its success
In Duncan Jones' sci-fi chamber drama, Sam Rockwell meets a multiplicity of himself on the dark side of the moon. Reviewed by Philip Kemp
Francophone mime duo Abel and Gordon revive the art of silent physical screen comedy in their elegantly absurdist second feature. Reviewed by Kate Stables