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
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You might not have noticed, but the past ten years saw the advent of a new ‘golden generation’ of British television-drama writers. So says Mark Duguid, looking back at the decade’s key works
Werner Herzog partners with actor Nicolas Cage for oddball cop film The Bad Lieutenant. It’s the latest in a mini-genre of pictures, where the police are as, if not more, corrupt than the villains they pursue. Inspecting a line-up of suspects, Nick James identifies the prime offenders
PLUS Peter Keough interviews Nicolas Cage and Mark Greenleaf interviews Werner Herzog
In Michael Winterbottom’s adaptation of Jim Thompson’s Texas-set noir The Killer Inside Me, the violence is shocking and misogynistic. That’s the point, the director tells Hannah McGill
PLUS Joseph Bevan on Thompson’s unhappy experiences in Hollywood
Beneath the cool and steely surfaces of Austrian director Götz Spielmann’s gripping thriller Revanche is a film of affecting tenderness and muted soulfulness. Spielmann talks to Catherine Wheatley
Bomb-making pratfalls and meathead jihadis abound as controversy-courting satirist Chris Morris tackles Islamic fundamentalism in his debut feature Four Lions, but tragedy lurks beneath the farce, says Ben Walters
Ang Lee’s film about the American Civil War is an understated, undervalued classic, writes Graham Fuller
A small-town teenager finds winning a fruit-juice competition the road to calamity in this acerbic portrait of consumer culture. Michael Brooke admires another dispatch from the Romanian new wave
Samuel Maoz’s Venice Golden Lion-winner depicts the 1982 Israeli-Lebanon war entirely from the Stygian interior of an Israeli tank. Roger Clarke feels the brutalisation of the tank’s four young occupants