October 2010
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Features
The life and death of the UK Film Council
From ‘Cool Britannia’ to coalition cold comfort, Geoffrey Macnab unravels the circumstances surrounding the recently announced demise of the UK Film Council
PLUS Palme d'Or-winning producer Keith Griffiths gives a personal response to the UKFC's demise
PLUS Dylan Cave on the UKFC's unsung commitment to preserving Britain's film culture
Joe Dante: serious mischief
Always one to go his own way, Joe Dante combines 3D technology with a return to a subtler, more family-oriented brand of horror in his new film The Hole. Tom Charity tracks Dante's anarchic streak through a 40-year career of filmmaking
PLUS James Mottram talks to the director
Lost and found: Mix-Up
Françoise Romand’s inventive Mix-Up, about the families of two daughters switched at birth 21 years earlier, deserves a wider audience, says Jonathan Rosenbaum
Cover feature: Remake remodel
Restored (almost) to its complete glory after over 80 years following the discovery of lost footage in Argentina, Fritz Lang’s dystopian 1927 classic Metropolis is now more fascinating than ever, says Kim Newman
PLUS Directors Terry Gilliam and Oshii Mamoru reveal the impact Lang’s vision had on the films they went on to direct themselves
Meth and the maiden
An award winner at Sundance this year, Winter’s Bone stands out from the current crop of American indies thanks to its unflinching evocation of the drug-addled yet resilient culture of the Ozark Mountains of south Missouri. James Bell talks to director Debra Granik
Lexicon of the law
Police, Adjective redefines the policier in the distinctively bleak and absurdist style of new Romanian cinema. Kieron Corless talks to its director, Corneliu Porumboiu
One more for the road
Unjustly overlooked by British distributors, Hong Sangsoo’s films offer wry and very personal insights into life and love in South Korea. As a retrospective brings Hong’s work to the UK, Tony Rayns celebrates the director’s unique way of working
Selected reviews
Film of the month: Perestroika
A journey into both the snowy wastes of Siberia and the fractured mind of its grieving narrator, Sarah Turner’s hypnotic ‘Perestroika’ is an immersive excursion into “extreme psychogeography”, says Chris Darke
Film review: Police, Adjective
This dry-humoured follow-up to 12:08 East of Bucharest may be the most undramatic cop movie ever filmed, writes Philip Kemp. But beneath its games with language lies a vision of the gaping moral quagmire of police work
In the magic hour: 3 silent classics by Josef von Sternberg
Before talkies, before Dietrich, Josef von Sternberg was a master of silent film-making, writes Michael Atkinson
Reviews in this issue:
- Alamar
- Bonded by Blood
- Budrus
- Buried
- Cats & Dogs The Revenge of Kitty Galore
- Cyrus
- Dinner for Schmucks
- Eat Pray Love
- Enter the Void
- The Final
- Frozen
- The Hole
- The Horde
- The Human Centipede (First Sequence)
- In the magic hour: 3 silent classics by Josef von Sternberg
- The Kid
- The Last Exorcism
- The Last Seven
- Made in Dagenham
- My Son, My Son, What Have Ye Done
- The Other Guys
- Our Family Wedding
- Peepli [Live]
- Film of the month: Perestroika
- Pianomania
- Film review: Police, Adjective
- Release
- Salt
- Scott Pilgrim vs. the World
- The Sorcerer’s Apprentice
- Step Up 3D
- The Switch
- Tamara Drewe
- Tinker Bell and the Great Fairy Rescue
- 22 Bullets
- Why Did I Get Married Too?
- The Wildest Dream
- Winter’s Bone