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Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
To mark a comprehensive Bertolucci retrospective, Tony Rayns looks back at the early 1960s, when the great Italian director hit his stride and emerged from the shadow of his mentors, Pasolini and Godard
A few years before Tarantino, writer-director Eric Red was playing bloodstained genre games in his 1988 debut Cohen and Tate. But where is he now, asks John Wrathall
A 24-hour montage of film clips showing the measurement of time, Christian Marclay’s The Clock has hooked viewers in London and New York. He talks to Jonathan Romney
Wim Wenders’s new film Pina marks not just the culmination of a 20-year quest to film the work of choreographer Pina Bausch, but also a bold leap into the world of 3D. He talks to Nick James
PLUS Nick Roddick on Wenders’s career in documentary
After honing a minimalist style on the Oregon-set Old Joy and Wendy and Lucy, Kelly Reichardt turns her gaze on the state’s pioneer past in Meek’s Cutoff, a novel female angle on the old West. Graham Fuller talks to her and writer Jon Raymond
PLUS Edward Buscombe charts women’s role in the western
How I Ended This Summer, a gripping Arctic-set two-hander, is the latest festival hit to emerge from Russia. Nick Hasted talks to its director Alexei Popogrebsky
PLUS Leslie Felperin surveys the recent Russian wave
A 24-hour montage of film clips showing the measurement of time, Christian Marclay’s The Clock has hooked viewers in London and New York. He talks to Jonathan Romney
In the second of our series on possible contenders for the ‘greatest film of all time’ in next year’s Sight & Sound poll, the renowned Spanish critic Miguel Marías finds himself falling for the fathomless mysteries of Alfred Hitchcock’s Vertigo
Newcomer Gustavo Hernández’s ingenious low-budget, single-shot horror film is a remarkable exercise in atmosphere and suspense, says Mar Diestro-Dópido
The sheep-herders’ life romanticised in Brokeback Mountain is the focus of the immersive new documentary Sweetgrass, which captures both the harshness and the grandeur of a vanishing world. By Kieron Corless
John Samsom's documentaries cast the same gentle eye on trainspotters and fetishists, says Joseph Bevan
Tracking three frayed families forging the Oregon Trail in 1845, Kelly Reichardt's starkly beautiful fable casts a female view on a West "dominated by space and silence". By Kate Stables