Primary navigation

Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
J.L. Anderson’s backwoods Appalachian love story is a forgotten classic of 1960s indie neorealism, says Ross Lipman
In a strong year for arthouse cinema, Terrence Malick’s The Tree of Life emerged as the clear winner of the S&S poll of international critics’ best films of 2011, says Nick James
Nick James introduces the results of Sight & Sound’s annual poll for best film of the year
PLUS 60 contributors from around the world on their top-five films and other highlights of 2011
Michel Hazanavicius tells James Bell why his affectionate tribute to early Hollywood, The Artist, had to be a silent movie
PLUS Bryony Dixon on the myth of the silent-movie stars whose careers were scuppered by sound
Martin Scorsese’s Hugo is not just a 3D adaptation of a hit children’s novel, but a magical tribute to Georges Méliès and the early days of cinema. By Ian Christie
The most glorious of MGM musicals, Meet Me in St. Louis has hidden depths, says Richard Dyer
PLUS Kay Dickinson on Ken Russell’s The Boy Friend, an MGM musical with a very British twist
The case of a Londoner who lay dead and undiscovered in her flat inspired Carol Morley’s Dreams of a Life. The director talks to Nick Bradshaw
British documentarist Molly Dineen has turned her camera on everyone from prime ministers to zookeepers. She talks to Poppy Simpson
After lampooning Berlusconi in his last satire, Nanni Moretti takes on the Vatican with We Have a Pope. He talks to Nick James
In documentary, drama and his distinctive blend of the two, director Peter Kosminsky has never shied away from controversy. He talks to Mark Duguid on the eve of a BFI retrospective of his work
The prizewinning road movie Las acacias announces the arrival of the latest new directing talent from Argentina. Pablo Giorgelli talks to Mar Diestro-Dópido
Moving on from his OSS 117 James Bond spoofs, French entertainer Michel Hazanavicius has found novelty magic in the style and lore of silent Hollywood. Tony Rayns finds resonances in unexpected places
Raúl Ruiz, who died in August, has left behind a magisterial four-hour saga set in 19th-century Portugal that serves as a fittingly elegant summation of his life’s work. Jonathan Romney explores the Mysteries of Lisbon
Nanni Moretti’s tragi-comic story of a newly elected pope on the run is no toothless satire of organised religion, says Catherine Wheatley, but a bittersweet portrait of age, fate and fallibility
Miklós Jancsó’s ‘musicals’ use songs, crowds and landscape to express social struggle, writes Jonathan Romney