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UK 2000
Reviewed by Nina Caplan
Our synopses give away the plot in full, including surprise twists.
London, the present. Michael, Chris, Steve and John are friends who share an Anglo-Polish background and indulge in occasional acts of petty crime to make ends meet. Michael - who spends most of his time at the dog races where his greyhound Bullitt occasionally runs - has to decide whether he wants to take over the shop his father runs. John looks after his depressed mother who spends her days in bed. The group attend a friend's wedding reception. There, Chris discovers that his girlfriend Ali is pregnant. Local criminals Geordie and Pope turn up. Chris agrees to pick up a van to help with a job Geordie's doing for the local mobster Mr Page.
Michael - who has taken an instant dislike to Geordie - Steve and John reluctantly help Chris pick up the van. Unbeknown to them, the van contains a stash of drugs. Chris and Ali split up. Michael tells Ali that he loves her and they sleep together. The next day, however, she's back with Chris. Discovering this, Michael punches Chris, then insults Geordie; Pope then beats Michael up. In revenge, Michael smashes up Geordie and Pope's car with a baseball bat.
The following day, Pope seeks out Michael at the racetrack; let off its lead, Bullitt chases Pope into the path of a moving car. He's run over and killed. Geordie demands retribution and asks Chris to bring Michael to him. After discovering that Chris became involved with Geordie and Pope to pay off a debt John owed them, Michael decides to see Chris. The two friends meet in a disused factory; Geordie appears, looking for Michael. Chris refuses to let him harm Michael; Geordie then stabs Chris. Michael beats up Geordie. Later, Chris recovers from his stab wounds.
Small Time Obsession isn't so much a gangster film as a movie museum. Alongside the leaden dialogue ("If things look shitty today, don't matter cause there's always tomorrow"), the viewer is exposed to a range of styles and genres, from home-movie footage of the four lads' South London patch (which evokes the opening moments of Martin Scorsese's coming-of-age gangster movie Mean Streets, 1973) to references to such seminal crime thrillers as Bullitt (Michael even names his greyhound after the 1968 film). But despite first-time feature writer-director Piotr Szkopiak's film-buff knowledge and evident personal attachment to the material, Small Time Obsession fails on almost every level.
Szkopiak's attempts to explore the divided loyalties of his Anglo-Polish characters - the four friends at the centre of the film choose to reject their immigrant parents' old-country attachments - amount to a few flatly staged scenes where Michael argues with his traditionalist family. The fact that Alex King, who plays Michael, doesn't appear to speak Polish while his screen parents converse with him as if he does hardly helps. Szkopiak's portrait of the Anglo-Polish community is similarly disappointing, limited to Steve's reference to the type of vodka served at a wedding reception and scenes at a specialist delicatessen and a restaurant, both of which are popular with London's Polish residents.
As a crime film, Small Time Obsession fares little better. Chris is too much of a thug for his explanation of his involvement with the drug runner Geordie to carry any kind of conviction. (He hooked up with Geordie and Pope, he reveals, to pay back a debt his friend John owed them.) Psychological subtlety and intimate, character-based scenes obviously don't bring out the best in Szkopiak - the sequences between Ali and Michael are stiffly done while John's rapprochement with his depressed mother is positively embarrassing. The freewheeling fun of the car chase at the end of the film suggests that Szkopiak should have stuck more closely to the Bullitt template he admires.