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How the directors and critics voted
- Olivier Assayas
- France
Top Ten
- Andrei Roublev (Tarkovsky)
- L'Argent (Bresson)
- La dolce vita (Fellini)
- In Girum imus nocte et consumimur igni (Debord)
- Ludwig (Visconti)
- A Man Escaped (Bresson)
- Mirror (Tarkovsky)
- Ordet (Dreyer)
- Playtime (Tati)
- Scenes from a Marriage (Bergman)
Comments
I did it instinctively, putting down the names as they came to me, then boiling them down to ten, making cabbalistic adjustments I couldn't begin to explain, let alone justify. The embarrassing result is that there isn't a single American film even though I've seen more American movies I've admired than I can remember, and there isn't a single Asian film even though I consider Mizoguchi, Ozu and Hou Hsiao-hsien to be among the greatest film-makers of any time in any culture.