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Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
The two wide-eyed lovers from Richard Linklater's Before Sunrise meet again nine years later, older and wiser, in Before Sunset. But why do we want the realists to revert to romance, asks Nick James.
A 'maestro' of neorealism in the 60s, Federico Fellini is notorious now for his love of bizarre and sentimental theatrics. But his need to shake off realism was always there, says Philip Kemp.
Guido Bonsaver admires the less-loved later works.
Pen-Ek Ratanaruang's Last Life in the Universe is a Thai movie of urban ennui that bucks all the clichés. Roger Clarke talks to the director.
Suffused with doomed romanticism and Protestant rationalism, 16 Years of Alcohol tracks its gang-member protagonists flight from drink and violence through a poetic voiceover. And it works, says Brian Dunnigan. Plus Geoffrey Macnab talks to director Richard Jobson.
If you want to look sexy, you have to think sexy, said Gloria Grahame, Hollywood's most enigmatic femme fatale. Graham Fuller celebrates the woman who left Humphrey Bogart and Glenn Ford with no chance.
Peter Biskind gives film history the energy of consumer journalism, but does Down and Dirty Pictures deliver the goods, asks Leslie Felperin. Plus Latin American cinema, the book Alexander Mackendrick should have written, the 1960s revolution, Atom Egoyan, and the loves and lusts of Ireland's most prolific post-war director.
A multi-stranded portrait of a Moroccan village, A Thousand Months plays like a vivid North African Short Cuts. Philip Kemp approves.