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Unfortunately this issue has sold out from our back issues department. However selected features and reviews are available here. Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
Raúl Ruiz talks about medieval religion and chaos theory and asks whether cinema is one of the three hundred known arts
Brokeback Mountain is not only a gay Western but also one of the greatest cinematic love stories of all time. Roger Clarke salutes director Ang Lee's achievement
Sexual politics killed the Western argues Edward Buscombe as he surveys a fistful of films from the days when cowboys saw themselves as partners for life
Our Actors series looks at the career of Eli Wallach, star of The Good, the Bad and the Ugly. By John Exshaw
James Bell reports from the Eurasia film festival in Kazakhstan. This is a longer version of what appears in the issue.
Sight & Sound's films of the year
How the critics voted
Woody Allen's first London-set film Match Point revisits themes of guilt and personal responsibility and represents a return to form. Graham Fuller examines the director's new perspective on a rake's progress and wonders at the magic of Scarlett Johansson
Neil Jordan's Breakfast on Pluto mixes political passion and sexual transgression in its tale of a glam-rock-era transvestite finding his feet in the big smoke. He talks to Geoffrey Macnab about being excommunicated from Ireland's film circles and how the Irish patronise the British
It's only three years old, but the Morelia International Film Festival in central Mexico has become an explosive showcase for digital cinema that explores the contradictions of a culturally and politically turbulent nation. Nick James reports.
Don't expect any grand statements from Sam Mendes' new movie about the tedium of being a marine during Operation Desert Storm. By Leslie Felperin