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
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With Volver Pedro Almodóvar has made a welcome return to comedy, the country and his favourite actresses. By Paul Julian Smith
Kurosawa is best known for his director-actor partnership with Mifune Toshiro, but his relationship with Shimura Takashi started earlier and lasted longer. Alex Cox celebrates the actor who embodied the contradictions of post-war Japan.
Nanni Moretti's Il caimano presents a passionate criticism of the outgoing Italian prime minister and an Italy fashioned in his image. By Lee Marshall. Plus Guido Bonsaver on political comedy Viva Zapatero!
This year's Cannes competition offers an impressive roster of big-name directors. S&S previews four films sure to generate a buzz on the Croisette including Paul Greengrass' United 93, which recreates events on the 9/11 flight that fought back. By Jessica Winter
In The Wind That Shakes the Barley Ken Loach offers a partisan view of the birth of the IRA. By Nick James
Films where subjects are tied up and tortured are no new thing, but Hostel raises the stakes by having its American kids the victims of resentful Europeans. Kim Newman marks the point at which the horror genre turned political. Plus S&S selects five films where it helps to keep your eyes closed
The upbeat ending to his film about Iranian female football fans banned from the game has prompted accusations that Jafar Panahi has sold out. But Offside's comedy has a dark core, says Julian Graffy