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
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Adulterated meat, surveillance and US excess proved the abiding themes of Cannes 2006. Some anticipated films proved duds, but smaller pleasures abounded says Nick James.
Jonathan Romney visits the fringes
Ali Jaafar views terror and war subjects
Geoff Andrew looks at the Europeans
Amy Taubin surveys the young Americans
Gael García Bernal, in Cannes to promote Alejandro González Iñárritu's Babel, is using his success to help new talent, he tells Ali Jaafar. Plus Tales from the globetrotting set of Babel by Fernanda Solórzano
Sex tourism gives expression to the sexuality of middle-aged white women in Laurent Cantet's Haiti-set Heading South. But what about the black beach gigolos - and their country, asks Bonnie Greer
82-year-old Suzuki Seijun is a cult figure in the UK. Princess Raccoon may achieve wider access for his dazzling films, says Tony Rayns
Ennio Morricone has no peers as the all-time most prolific and various composer of music for films. He talks to Guido Bonsaver
Long withheld from the public, Antonioni's The Passenger, starring Jack Nicholson, is a key insight into the 1970s, says Mark Le Fanu
Who cares about the girl on the arm of a rich man? That's the key question of Forty Shades of Blue. Director Ira Sachs and his actress Dina Korzun talk to Nick James
Ken Loach's Palme d'Or winner unravels the complex struggle to oust the British from Ireland after the 1916 uprising. But does its austere integrity do justice to the cause, asks Edward Lawrenson