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
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Andrew Osmond assesses the new innovative directions being taken with Animated cinema releases this Summer. This timeline is a longer version of what appears in the magazine.
With Three Times Hou Hsiao-Hsien has created an exquisite, dreamlike study of romance. Tony Rayns traces how the director has reinvented Taiwanese arthouse
Philippe Garrel spent the 1970s hooked on heroin and Nico. Les Amants réguliers looks back to 1968 - but its characters seem more interested in drugs than in politics, says Jonathan Rosenbaum
The Fallen Idol: Philip Kemp on the underrated centrepiece of Carol Reed's trio of post-war classics.
Michel Gondry's The Science of Sleep fizzes with optical illusions and crazy ideas. Are its childlike protagonist and dream sequences a reflection of the director's own mindscape, asks Sam Davies
The Death of Mr. Lazarescu, a black-comic trek around Bucharest's crumbling hospitals, has won Cristi Puiu numerous awards. He talks to Ryan Gilbey about bearing witness and banning suspense
Christian Volckman's noir thriller Renaissance brings humanity to a virtual world. By Andrew Osmond
Richard Linklater's A Scanner Darkly replicates Philip K. Dick's druggy dystopia. By Nick Bradshaw. Plus Paul Ward meets Rotoshop inventor Bob Sabiston
Has a souped-up Cars driven Pixar off track, asks Jonathan Romney
After years in TV Westerns, Repo Man and Paris, Texas made Harry Dean Stanton cool. By Danny Leigh
Tim Lucas enjoys what is probably the best J.G.Ballard adaptation yet made
The ravishment is principally visual in Mary Harron's otherwise discreet biopic of a female icon of 1950s sexuality. But is the film just another rose-tinted vision of the pre-video sex industry, asks Linda Ruth Williams