Primary navigation

Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
To mark a season of Andy Warhol films at the BFI Southbank, director Gus Van Sant tells Amy Taubin why he's been described as the Factory artist's alter ego
Harry Potter and the Order of the Phoenix is just the latest entry in a tradition of British boarding-school movies that stretches back to the 1930s. But the public-school ethos also spawned a slew of post-war films about men who refuse to grow up, argues Andrew Roberts
Sight & Sound celebrates its 75th birthday by asking critics from around the world to nominate their favourite overlooked masterpiece. The result: 75 lost films you just have to track down
The high theatricality of Laurence Olivier and the understated realism of Marlon Brando may seem to hark from different eras. But both introduced a new naturalism, sexual ambiguity and male vulnerability to the art of acting. By Paul Ryan PLUS Graham Fuller celebrates Olivier's existential take on Henry V
Alain Resnais' Private Fears in Public Places weaves its themes of thwarted romances and warring couples around a study of personal space. Richard Combs traces the influences of theatre and documentary, time and memory in the director's work
Daratt explores issues raised by the amnesty that followed Chad's civil war through the story of a boy sent to avenge his father. Its emphasis on small gestures and cooperation bodes well for the future, says Roy Armes
Bret Wood's film of a German medical text should have been a disaster. Instead, says, Tim Lucas, it's a triumph