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
Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
Taking a walk through the director's bloody flick Bring Me the Head of Alfredo Garcia, David Thomson explores Peckinpah's love/hate relationship with Mexico. PLUS David Weddle on his influential television work
Slumdog Millionaire director Danny Boyle talks to Alkarim Jivani about fleeing from the Indian authorities, working with children, and why he'll be avoiding big budgets
In the footsteps of Fitzcarraldo, James Bell heads deep into the Brazilian jungle for the Amazonas Festival
Sight & Sound talks to South Korean director Kim Jee-woon about his latest film, the sci-fi western The Good, The Bad, The Weird
In our annual obituaries round-up, Bob Mastrangelo mourns the passing of the men and women of cinema who died in 2008.
Richard Yates has been rediscovered as one of the great American writers, and Revolutionary Road is his masterpiece. Nick James asks why, in that case, Sam Mendes focuses on acting at the expense of period in his new adaptation
Woody Allen is once again under fire with Vicky Cristina Barcelona for his interest in attractive young actresses including Scarlett Johansson. This time, however, argues Graham Fuller, the critics are failing to take the film in its own female-driven context
Gus Van Sant makes an apparent return to the mainstream with Milk, his scrupulously accurate biopic of gay activist Harvey Milk, starring Sean Penn - but at its heart, says Nicolas Rapold, the film is surprisingly political
Duane Hopkins' first feature is an inventive, unclichéd example of British realism which shines a light into rarely explored social territory and the unexamined lives of its characters. By Jonathan Romney
Tim Lucas on a controversial 1982 film now held by many to be director Samuel Fuller's last great American movie