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
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As S&S counts down to the September issue’s once-a-decade poll to find the Greatest Film of All Time, French critic Nicole Brenez makes the case for one of the key revolutionary activist films of the 1960s, The Hour of the Furnaces
Mark Le Fanu pays tribute to 1956’s Gervaise, a great example of Zola on film – and of the work of its neglected director, René Clément
Born 100 years ago, the Czech artist Jirí Trnka spent his career bringing fairytales magically to life, in book illustrations and puppet animation – until his last film turned his talents to a devastating allegory of Stalinism. Peter Hames surveys his career
The Kid with a Bike is the latest of a series of extraordinary features with which the Dardenne brothers have turned a bleak industrial town in Belgium into a microcosm of all human life. By Jonathan Romney
With Once upon a Time in Anatolia, Nuri Bilge Ceylan turns his contemplative eye on a murder investigation. The Turkish director talks to Geoff Andrew
PLUS extracts from Ceylan’s diary of the editing process
Lena Dunham is one of a new breed of directors who find their first audience on YouTube, but her debut feature Tiny Furniture shows there’s more to her than navel-gazing, says Melissa Anderson
A very public battle for the Golden Bear divided this year’s Berlin film Festival, says Nick James
In 1954, a student hung out with Carl Theodor Dreyer on the set of Ordet, and transcribed his conversations with the great Danish director. An extract from the new memoir by Jan Wahl
Jirí Trnka brought fairytales to life in spellbinding puppet animation – until his last film took on Stalinism. Peter Hames celebrates the centenary of the great Czech animator
A bold blend of rock-star hip and Holocaust hauntology, Paolo Sorrentino’s This Must Be the Place is an oddball vehicle for Sean Penn. By Jonathan Romney
PLUS John Wrathall on what US stars learn from Italian auteurs
PLUS Paul Mayersberg on the enigma at the heart of Paolo Sorrentino’s four Italian films
Agnieszka Holland’s third engagement with the terrors of WWII is a hard-hitting portrait of national and class divisions amongst fugitive Jews in the sewers of the Lwów ghetto. By Michael Brooke
Into the Abyss is not just a compelling documentary about a convicted murderer on Death Row, but a further chapter in Werner Herzog’s obsessive exploration of the American way of life – and death. By Tony Rayns
Nick Bradshaw revisits Lionel Rogosin’s On the Bowery, a pioneering drama-doc shot on the mean streets of New York