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
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Moroccan artist Yto Barrada tells Ian Francis about her double life running a renovated Tangier cinema
Though shot in Germany in 1944, Helmut Käutner’s Under the Bridges defiantly avoids any reference to Nazism. By Philip Kemp
Set on an island off the coast of the US in the mid-60s, on the eve of that decade’s upheavals, Moonrise Kingdom is the latest of the self-contained worlds created by Wes Anderson. Nick Pinkerton talks to the director
The Turin Horse is the last testament of the legendarily uncompromising Hungarian auteur Béla Tarr. He talks to Jonathan Romney
PLUS Geoffrey Macnab on the battle for the soul of Hungarian film
PLUS Turin Horse DP Fred Kelemen analyses his remarkable collaboration with the director
In a unique long-term collaboration, Paul Laverty has now written ten features for director Ken Loach. Thomas Dawson talks to the writer on the set of The Angels’ Share
Jean-Claude Carrière is famed above all for his six-film collaboration with Luis Buñuel. The veteran French screenwriter discusses the secrets of his craft with Nick James
Bertrand Tavernier’s 1980 sci-fi one-off Death Watch anticipated reality TV, and showed Glasgow as never before. He talks to Pasquale Iannone
A year on from the Arab Spring, Ali Jaafar examines the implications of political change for the new generation of filmmakers emerging in the Middle East
In our countdown to September’s ‘Greatest Films of All Time’ poll, Michael Atkinson anatomises critical obsession with the ‘top ten’
As a new digital print restores Powell and Pressburger’s The Life and Death of Colonel Blimp to its Technicolor glory, we reproduce two key artefacts from its production: a tapestry and Pressburger’s original treatment
Winner of the Golden Lion at last year’s Venice Film Festival, Alexander Sokurov’s retelling of the Faust legend finally arrives on these shores. But it’s not just the film’s hero who’s suffering from hubris, says Tony Rayns
Viewing Occupied Paris through a Muslim prism, Ismaël Ferroukhi’s muted drama is a more contemplative sort of Resistance film, says Catherine Wheatley
Lisa Aschan’s cryptic fairytale of young womanhood casts its subjects in an uncanny ambience of pale half-light and thick steam. Catherine Wheatley peers quizzically
Hungary’s master of entropy Béla Tarr closes his own filmmaking career with a slow, stark parable of a horse on strike and the world caving in. It’s heartfelt – but a bit gloomy, says Kieron Corless
The 1932 film of H.G. Wells’s Dr Moreau story is disturbing and subtextually explosive, writes Michael Atkinson