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Detroit Rock City
USA 1999
Reviewed by Paul Elliott
Synopsis
Our synopses give away the plot in full, including surprise twists.
1978. Four Midwestern high-school students - Lex, Trip, Hawk and Jam - have tickets to see their favourite band Kiss in concert in Detroit. The boys' excitement turns to horror when Jam's mother burns the tickets in the belief that Kiss' music is inspiring delinquency in her son. Jam is sent to a church school, but his friends steal Lex's mother's car and effect Jam's escape by feeding a drug-laced pizza to the school's principal. Trip, meanwhile, wins four more tickets in a radio phone-in, but on arrival in Detroit discovers the tickets have been awarded to another caller because Trip hung up before leaving his name.
The quartet separate to try their luck at finding yet more tickets. Their ensuing adventures lead both Hawk and Jam to lose their virginity, the latter in a church confessional box, the former to an older woman whom Jam meets in a bar after trying to win a strip contest. After a fruitless quest, the four friends resort to beating one another up in order to trick concert stewards into believing they have been mugged and had their tickets stolen.
As they arrive at the venue, four hoodlums who have extorted money from Trip also turn up. Trip convinces the stewards that these are his attackers. The thugs are ejected and their tickets given to Trip and his buddies. At last, they see Kiss live on stage.
Review
Combining the 70s period detail of Paul Thomas Anderson's Boogie Nights with the timeless appeal of a teenage-gang adventure tale, Detroit Rock City is a rock-'n'-roll comedy high on energy, yet - strangely for a film centred on teenage friendship - low on warmth. Director Adam Rifkin (who wrote Mousehunt) likens his film to classic teen dramas American Graffiti (1973) and Rock 'N' Roll High School (1979), but at its most childish Detroit Rock City is more akin to the low farce of the notorious Porky's series, albeit with a vintage rock soundtrack.
Detroit Rock City benefits from a painstaking attention to detail. Rifkin himself was a Kiss fan growing up in 70s Midwestern America, and with Kiss bassist Gene Simmons acting as co-producer, the era's celebratory rock culture is expertly recreated, with lots of knowing in-jokes. Veteran Kiss fans will smile, for instance, when the boys assure a disco fan: "One thing Kiss will never do is make a bullshit disco record." In fact, they made just such a record in 1979, just a year after this film's date.
Rifkin also puts his rock soundtrack to good use. Alongside a slew of classic Kiss songs are period pieces from other rock giants of the late 70s. Many of the tracks are used to comedic effect, if a little literally: when Jam is busted out of reform school, Thin Lizzy's 'Jailbreak' accompanies the escape; later, Jam tells his pious mother to go to hell to the strains of Van Halen's 'Runnin' with the Devil'.
But Detroit Rock City comes apart when it comes to creating characters with anything more than the emotional depth of their 90s cartoon counterparts Beavis and Butt-head. There's also an unpleasantly cruel streak underlying much of the teenagers' behaviour in Detroit. Trip, the token pot enthusiast, might end the film as an accidental hero, having foiled a convenience-store heist, but earlier he threatens to beat up a pre-pubescent Kiss fan if the kid refuses to hand over his ticket. Later the four friends beat a lone aggressor with belts and chains in a vicious revenge attack before attempting to coerce their victim's date into performing sex acts in return for a ride into Detroit.
Kiss themselves appear towards the end of the film. They give a spirited, fittingly climactic performance in an otherwise predictable coming-of-age teen movie (during the course of their night in Detroit Hawk and Jam both lose their virginity, the latter to school sweetheart Beth - also the name of Kiss' biggest love song).
It's essentially a guest appearance by the veteran rockers - no amount of make-up or stage pyrotechnics can hide their ages - and a far cry from their more substantial film effort, Kiss Meets the Phantom of the Park (1978). That exercise in high kitsch, in which the group battled a mad scientist in a fairground to hugely comic effect, much of it unintentional, has now acquired a cult status among Kiss fans. Little more than another hard sell for the most astutely marketed rock band of the past 30 years, Detroit Rock City is neither good nor bad enough to make such a lasting impression.
Credits
- Producers
- Gene Simmons
- Barry Levine
- Kathleen Haase
- Screenplay
- Carl V. Dupré
- Director of Photography
- John R. Leonetti
- Editor
- Mark Goldblatt
- Production Designer
- Steve Hardie
- Music/Music Conductor
- J. Peter Robinson
- ©New Line Productions, Inc.
- Production Companies
- New Line Cinema presents a Takoma Entertainment/Base-12 Productions/Kissnation production
- Executive Producers
- Michael De Luca
- Brian Witten
- Co-producer
- Art Schaefer
- Associate Producer
- Tim Sullivan
- Executive in Charge of Production
- Carla Fry
- Production Executive
- Michele McGuire
- Production Supervisor
- Detroit Unit:
- Mary Petryshyn
- Production Controller
- Paul Prokop
- Supervising Production Co-ordinator
- Emily Glatter
- Production Co-ordinator
- Corinna Schmitt Porsia
- Unit Production Manager
- Brian Leslie Parker
- Location Managers
- Erik T. Snyder
- Detroit Unit:
- Cathy Thomas
- Executive in Charge of Post-production
- Jody Levin
- Post-production Supervisor
- Ric Keeley
- 2nd Unit Directors
- Tony Markes
- Peter Schink
- Assistant Directors
- Ian Foster Woolf
- Grant Lucibello
- Richard Black
- Harley Cohen
- 2nd Unit:
- Charles Braive
- D. Joanne Malo
- Script Supervisors
- Kathryn Buck
- Detroit Unit:
- Kathy Asheton
- Casting
- Valerie McCaffrey
- ADR Voice:
- L.A. MadDogs
- Associate:
- Joe Adams
- Detroit Unit:
- The I-Group
- 2nd Unit Director of Photography
- Harry Lake
- Camera Operators
- Angelo Colavecchia
- Perry Hoffman
- John Hobson
- Steadicam Operator
- Angelo Colavecchia
- Digital Visual Effects
- Perpetual Motion Pictures
- Visual Effects Supervisor:
- Richard Malzahn
- Animator:
- René Clark
- Visual Effects Producer:
- Kimberly Sylvester
- Special Effects Co-ordinator
- Michael Kavanagh
- Key Special Effects
- Danny White
- Additional Editor
- Roger Barton
- Additional Concert Editors
- Adam Cohen
- Peter Schink
- Art Director
- Lucinda Zak
- Set Decorator
- Cal Loucks
- Key Scenic Artist
- John Bannister
- Scenic Artist
- Janet Cormack
- Storyboard Artist
- Paul Berta
- Costume Designer
- Rosanna Norton
- Costume Supervisor
- Jay Du Boisson
- Wardrobe
- Mistress:
- Pat Hanley-Cummings
- Detroit Unit:
- Scarlett Jade
- Make-up
- Design/Supervisor:
- Geralyn Wraith
- Artist:
- Marlene Schneider
- Hair
- Designer:
- Judi Cooper-Sealy
- Key Dresser:
- Karola Dirnberger
- Detroit Unit Hair/Make-up
- Eileen Lindsley
- Main Titles Design
- The Picture Mill
- Main Title Consultant
- Tommy Thayer
- Opticals
- Howard Anderson Co
- Additional Music
- Brent Woods
- Orchestrations
- J. Peter Robinson
- John Kull
- Pete Anthony
- Music Supervisors
- Spring Aspers
- Allan Kaufman
- Music Executive
- Paul Broucek
- Music Editor
- Lisé Richardson
- Scoring Mixer
- Robert Fernandez
- Soundtrack
- "Highway to Hell" by Malcolm Young, Angus Young, Bon Scott, performed by Marilyn Manson; "We've Only Just Begun" by Paul Williams, Roger Nichols; "I Stole Your Love", "Love Gun" by Paul Stanley, performed by Kiss; "Rock and Roll All Night" by Gene Simmons, Paul Stanley, vocals performed by Mystery [i.e. Giuseppe Andrews, James DeBello, Edward Furlong, Sam Huntington]; "Cat Scratch Fever" by/performed by Ted Nugent; "20th Century Boy" by Marc Bolan, performed by T-Rex; "Funk No. 49" by Jim Fox, Dale Peters, Joe Walsh, performed by The James Gang; "Conjunction Junction" by/performed by Bob Dorough; "Manfred Symphony" by Pyotr Tchaikovsky, performed by the Oslo Symphony Orchestra; "Ladies Room", "Christine Sixteen", "Calling Doctor Love" by Gene Simmons, performed by Kiss; "Good Old Days" by LeRoy Shields, performed by The Beau Hunks; "Lights Out" by Michael Schenker, Pete Way, Phil Moog, Andy Parker, performed by UFO; "Little Willy" by Mike Chapman, Nicky Chinn, performed by The Sweet; "School Days" by Kim Fowley, Joan Jett, performed by The Runaways; "Jailbreak" by Philip Parris Lynott, performed by Thin Lizzy; "1812 Overture" by Pyotr Tchaikovsky, performed by Vienna Philharmonic and Lorin Maazel; "Shout It Out Loud" by Gene Simmons, Paul Stanley, Bob Ezrin, performed by Kiss; "Frankenstein" by/performed by Edgar Winter; "Makin' It" by Dino Fekaris, Frederick Perren, performed by David Naughton; "The Boys Are Back in Town" by Philip Parris Lynott, performed by (1) Thin Lizzy, (2) Everclear; "Wild and Hot" by Punky Meadows, performed by Angel; "Radar Love" by Barry Hay, George Kooymans, performed by Golden Earring; "Iron Man" by Tony Frank Iommi, William Ward, Terence Butler, John Osbourne, performed by Black Sabbath; "Problem Child", "Highway to Hell", "Whole Lotta Rosie" by Malcolm Young, Angus Young, Bon Scott, performed by AC/DC; "Turn to Stone" by Jeff Lynne, performed by Electric Light Orchestra; "Surrender" by Rick Nielsen, performed by Cheap Trick (Live at Budokan); "Black Superman (Muhammad Ali)" by Johnny Wakelin, performed by Johnny Wakelin & the Kinshasa Band; "I Wanna Be Sedated" by Jeffrey Hyman, John Cummings, Douglas Colvin, performed by Ramones; "Escape (The Pina Colada Song)" by/performed by Rupert Holmes; "Monster Attacks, Part 1" from "Creature from the Black Lagoon" by Hans Salter; "Black Magic Woman" by Peter Green, performed by Santana; "Every 1's a Winner" by Errol Brown, performed by Hot Chocolate; "Rebel Rebel" by/performed by David Bowie; "Convoy" by Bill Fries, Chip Davis, performed by C.W. McCall; "Shock Me" by Ace Frehley, performed by Kiss; "Godzilla" by Donald Roeser, performed by Blue Oyster Cult; "Fox on the Run" by Andrew Scott, Stephen Priest, Brian Connolly, Michael Tucker, performed by The Sweet; "Boogie Shoes" by Harry W. Casey, Richard Finch, performed by K.C. & the Sunshine Band; "Strutter" by Gene Simmons, Paul Stanley, performed by Kiss; "Blitzkrieg Bop" by Jeffrey Hyman, John Cummings, Douglas Colvin, Thomas Erdelyi, performed by Ramones; "Popcorn" by Gershon Kingsley, performed by Hot Butter; "Beth" by Peter Criss, Stan Penridge, Bob Ezrin, performed by Kiss; "Fire" by Ralph Middlebrooks, James C. Williams, Marshall Jones, Leroy Bonner, Clarence Satchell, Willie Beck, Marvin Pierce, performed by Ohio Players; "Muskrat Love" by Willis Alan Ramsey, performed by Captain & Tennille; "Come Sail Away" by Dennis DeYoung, performed by Styx; "In the Hall of the Mountain King" by Edvard Grieg; "Rock Your Baby" by Harry W. Casey, Richard Finch, performed by George McCrae; "Love Hurts" by Boudleaux Bryant, performed by Nazareth; "Running with the Devil" by Edward Van Halen, Alex Van Halen, Michael Anthony, David Lee Roth, performed by Van Halen; "O' Fortuna" from "Carmina Burana" by Carl Orff; "Love to Love" by Michael Schenker, Phil Moog, performed by UFO; "Detroit Rock City" by Paul Stanley, Bob Ezrin, performed by Kiss; "Nothing Can Keep Me from You" by Diane Warren, performed by Kiss
- Sound Mixer
- Steve Aaron
- Re-recording Mixers
- John Ross
- Mathew Waters
- Dorian Cheah
- Supervising Sound Editor
- Frank Gaeta
- Dialogue Editors
- Michael Hertlein
- David Grant
- Robert C. Jackson
- Sound Effects Editors
- Lisle Engle
- Javier Bennassar
- Roland Thai
- Michael Mullane
- ADR
- Mixer:
- Alan Freedman
- Supervising Editor:
- Thomas Jones
- Foley
- Artists:
- Ossama Khuluki
- David Fein
- S. Diane Marshall
- Mixers:
- Mary Erstad
- C.W. Jones
- Editors:
- Craig Jurkiewicz
- Lucy Sustar
- Stunt Co-ordinator
- Alison Reid
- Cast
- Edward Furlong
- Hawk
- Giuseppe Andrews
- Lex
- James DeBello
- Trip
- Sam Huntington
- Jeremiah 'Jam' Bruce
- Gene Simmons
- Paul Stanley
- Ace Frehley
- Peter Criss
- Kiss
- Melanie Lynskey
- Beth Bumsteen
- Nick Scotti
- Kenny
- Shannon Tweed
- Amanda Finch
- Miles Dougal
- Elvis, school security guard
- Natasha Lyonne
- Christine
- Lin Shaye
- Mrs Bruce
- Emmanuelle Chriqui
- Barbara
- David Quane
- Bobby
- Rodger Barton
- Stuart Bumsteen
- Kathryn Haggis
- Mrs Bumsteen
- David Gardner
- priest
- Kristin Booth
- cashier
- Joe Flaherty
- Father Phillip McNulty
- Cody Jones
- little kid
- Matt Taylor
- Chongo
- Joan Heney
- study hall teacher
- Rob Smith
- Simple Simon
- Aaron Berg
- bartender
- Paul Brogren
- roadie 1
- Allan Clow
- man with coat
- Chris Benson
- Mr Johansen
- Colleen Williams
- nun
- Richard Hillman
- scalper
- Stephen Joffe
- Ryan Letriard
- six-year-olds
- Joseph Haase
- security guard
- Ron Jeremy Hyatt
- MC, male strip club
- Kevin Corrigan
- beefy jerk 1
- Steve Schirripa
- beefy jerk 2
- Lindy Booth
- girl 1
- Christina Sicoli
- foxy girl
- Michael Barry
- nerd
- Vic Rigler
- pizza boy
- Eileen Flood
- female parishioner
- Pamela Bowen
- Matmok lieutenant
- Johnie Chase
- cop 1
- Julian Richings
- ticket taker
- Shane Daly
- Noah Danby
- Chongo's friends
- Christopher Lee Clements
- Jonathan Cuthill
- Neno Vojic
- Rich Coulson
- Michael Kremko
- Derek De Luis
- strippers
- Tara Elliot
- Elissa Bradley
- Cherry Flatley
- Leilene Ondrade
- Hazel K. Anderson
- Jessica Kleiner
- Nadia Dalchand
- Kerri Michalica
- Kerri Robinson
- babes
- Dino M. Sicoli
- really lucky hot tub dude
- Certificate
- 15
- Distributor
- Entertainment Film Distributors Ltd
- 8,516 feet
- 94 minutes 38 seconds
- SDDS/Dolby digital/DTS
- Colour/Prints by
- DeLuxe
- Super 35 [2.35:1]