You're Dead...

USA/Germany 1999

Reviewed by Philip Kemp

Synopsis

Our synopses give away the plot in full, including surprise twists.

Aspiring bank robbers Eddie and Ian carry out a raid on Richardsons Bank in the City of London, aided by legendary safecracker Michael Maitland. A tip-off brings the police, led by Inspector Badger. The crooks take hostages and a nine-day siege ensues, resolved only by the intervention of Professor Corner, head of government special agency Cyclops. Everyone inside the bank is found dead, save for a frightened young woman named Jo Simpson. Under Corner's interrogation, Jo reveals what happened.

Twenty years earlier Maitland had been jailed for life after a casino robbery set up by Eddie's father led to the death of a policewoman. By promising to help trace Maitland's long-lost daughter, Eddie and Ian persuaded him to break out by faking his own death, to take part in their heist. The raid, secretly helped by embezzling bank manager Sefton, goes as planned. But three rival robbers - hypnotherapist Dr Chandra and his patients George and George - arrive, closely followed by the police. The gang take two customers hostage. Staff member Jo reveals she is an undercover policewoman and insists on staying. Eddie and Ian humiliate Sefton and shut him in the lift. As the siege wears on, those inside the bank are mysteriously killed one by one. Eddie quarrels with Ian and locks him in the vault where he hangs himself. Jo reveals to Maitland she is his daughter.

At this point in the interrogation Badger interrupts. He insists Maitland carried out the killings and died in the final assault. Declaring the case closed, he goes to the bank with his sidekick DI Guffin to purloin the loot. Both policemen are killed by the true murderer, the deranged Sefton, who had also killed Eddie. Explaining to Jo and Maitland - who has again faked his death - that it was Badger who shot the policewoman in the casino heist, Corner lets them both go free.

Review

"How can she possibly drag this story out so long?" demands bent cop Inspector Badger, watching an interrogation through a one-way mirror. "I'm no Einstein, but I already know the bloody ending." By this stage, three-quarters of the way through You're Dead..., the audience is likely to agree wholeheartedly. Most of the carefully devised revelations in Andy Hurst's script can be seen coming several miles off, despite the armoury of frenetic jump-cuts, flashbacks, flashforwards and misleading 'memory' sequences he tries to distract us with. For all its jazzed-up surface glitz, You're Dead... is essentially that reliable old standby, the heist-gone-wrong caper, tricked out with visual borrowings lifted from Austin Powers and A Clockwork Orange (1971).

Andy Hurst, whose only previous feature is the little-seen sci-fi thriller Project: Assassin, brings an exuberant eye to the proceedings, shooting in widescreen and indulging in some cheerfully overdone - and historically dubious - 70s flashbacks. But accuracy is beside the point: this is cartoonish stuff, and the fact that John Hurt looks rather older in his flares and shoulder-length wig than he does in the present-day sequences is all part of the joke. That the film, supposedly set in London, was shot mostly in Germany, and that the plot has rather more holes than a fishnet stocking only add to the air of zonked-out unreality.

Hurst's visual imagination is fertile and inventive. The opening sequence is especially striking: a nervous SWAT team edge cautiously, flashlights wavering, into the darkened bank, its Corinthian columns smeared with muck and spattered with bullets, with half-burned banknotes littering the marble floor while Robert Folk's mock-elegiac score swells on the soundtrack. (Seriousness is hardly on offer here, but a link between capitalism and violence isn't hard to find.) But the script lacks wit, and the attempts at verbal humour are mostly bludgeoning or misfire completely. A lumbering, surrealist subplot involving a Hindu hypnotherapist and his bumbling twin patients is tiresome and superfluous. The film's best gags are visual or aural: Inspector Badger's idea of the ultimate in torture is Tom Jones played at maximum volume.

As yet Hurst seems to have no idea how to control his actors. Most of the cast overact crassly, mugging and shouting their lines: Rhys Ifans in particular seems to be modelling himself on Adrian Edmondson at his most raucous. John Hurt gives his sketchiest performance in years, and only Barbara Flynn, as the head of the mysterious Cyclops agency, has the sense to underplay her role. Her quiet, watchful performance comes as a refreshing relief amid the surrounding hubbub.

Credits

Producer
Marco Weber
Screenplay
Andy Hurst
Director of Photography
Wedigo von Schultzendorff
Editor
Andrew Starke
Production Designer
Frank Bollinger
Music/Music Conductor
Robert Folk
©Atlantic Streamline Filmproductions, Inc
Production Company
Atlantic Streamline Filmproduktion presents a MarcoWeber production
Executive Producer
Rolf Engelhardt
Line Producer
Miggel Schwickerath
Associate Producers
Robin Hill
Michael Hurst
Jan Sebastian Ballhaus
Production Executive
Rachel Rose
Production Co-ordinator
Laura Einmahl
Production Services
Bernd Huckenbeck
2nd Unit Managers
Michael Stritzel
Christian Bufschmidt
Unit Production Manager
Markus Brinkmann
Location Manager
Mark Nolting
2nd Unit Directors
Michael Hurst
Robin Hill
Assistant Directors
Jan Sebastian Ballhaus
Sascha Koszinowski
Uta Seibicke
Script Supervisors
Sally Jones
2nd Unit:
Birgit Jantsch
Casting
Celestia Fox
2nd Unit Camera
Michael von Loeper
Camera Operator
Roman Zednicek
Steadicam
Roman Zednicek
Bärbel Zibold
Visual Effects Supervisor
Henning Rädlein
Digital Compositors
Jörn Meyer
Klaus Wuchta
Moritz Gläsle
Digital Artist
Cania
Special Effects Supervisor
Karl-Heinz Bochnig
Special Effects
Christoph von Lengerke
Dieter Littman
Floor Effects
Volker Lorig
Art Director
Florian Lehner
Draftsmen
Georg Burgner
Markus Wollersheim
Daniel Schroers
Illustrator
Michael Meier
Storyboard Artist
Ben Wheatley
Costume Designer
Jany Temime
Costume Supervisor
Wilfried Laudicina
Wardrobe
Philomena Boufis
Additional:
Bärbel Wendling
Key Make-up
Tory Wright
Make-up Artist
Antje Bockeloh
Titles
Blow Up Film
Music Performed by
The Munich Symphony Orchestra
Music Orchestrators
Peter Tomashek
Jon Kull
Andrew Kinney
Robert Folk
Music Supervisors
Peter Afterman
Associate:
Margaret Yen
Executive in Charge of Music
Andrea Emmerich
Music Editor
Doug Lackey
Music Engineer
John Timperley
Soundtrack
"Rob a Bank (Wanna)" by Derek Greening, Peter Bywaters, performed by Peter & The Test Tube Babies; "The Hustle", "Night Walk" by/performed by Van McCoy; "You're Dead" by Andreas von Holst, Andreas Frege, T.V. Smith, performed by Die Toten Hosen; "King Kong" by David Brothwell, Richard Little, Paul Moody, Stephen Griffin, Patrick O'Sullivan, William Beavan, Andrew Starke, performed by Regular Fries; "Sitar Ecstacy" by/performed by Iwan Harlan; "Release Me" by Robert Yount, Eddie Miller, Bob Williams, performed by Engelbert Humperdinck; "Frankenstein" by Edgar Winter, performed by The Edgar Winter Group
Sound Mixer
Eckart Goebel
Set Sound Recordist
Wolfgang Wirtz
2nd Unit Sound
Marc Seiffert
Supervising Sound Editor
Andreas Biegler
Sound Effects Editor
Benedict Just
Foley
Artist:
Joern Poetzl
Editor:
Natascha Baermann
Stunt Co-ordinator
Mai Lin Tan
Weapons
Eberhardt Steep
Helicopter Pilots
Bernhard Hengen
Klaus Müller
Cast
John Hurt
Michael Maitland
Rhys Ifans
Eddie Hayderhall
Claire Skinner
Jo Simpson
Barbara Flynn
Professor Corner
John Benfield
Inspector Dick Badger
David Schneider
Ian Jeffries
Roger Ashton-Griffiths
Cliff Sefton, bank manager
Patrick Field
Detective Inspector Guffin
Badi Uzzaman
Doctor Chandra
Andreas Windhuis
Ted, security guard
Andy Zingsem
belching police officer
Stephen Hudson
squad leader
Simon Paul
Paul Smortions
Jane Peachey
Versuvius, Eddie's girlfriend
Rayner Bourton
Swedish Harry, Eddie's dad
Mai Lin Tan
undercover police officer
Felicity Dean
Eileen
Tony Osman
George 1
George Osman
George 2
Alexandra Schalaudek
Peaches, hostage
Harry Wolff
Ed, security guard
Peter Kötthaus
Bob, hostage
Axel Holst
cyclops guard
Andreas Cremer
policeman
Certificate
15
Distributor
Entertainment Film Distributors Ltd
8, 753 feet
97 minutes 16 seconds
Dolby digital
In Colour
Anamorphic [Arriscope]
Last Updated: 20 Dec 2011