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Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
Himself a victim of the long-running civil war in Chad, director Mahamat-Saleh Haroun examines the turmoil in his native land via A Screaming Man, an austere and compelling story of fatherhood. He talks to Suzy Gillett
Mike Hodges investigates a dark tale of murder, corruption, kinky sex and game-playing in Elio Petri’s 1970 box of tricks
Rescuing the movies that culture forgot is the task of our latest survey. Unloved, unlauded but no longer alone: 75 mainstream movies from the past 30 years that were either commercially or critically buried on their release, are here nominated for reappraisal by our contributors. Online introduction by Nick James
Rachid Bouchareb’s Algerian liberation drama Outside the Law sparked fury in some quarters on its release in France. The director talks to Ali Jaafar about the enduring sensitivity of the war and why his film owes as much of a debt to crime drama as to politics
Its hero is a goat – and that’s just the first thing that’s extraordinary about Italian director Michelangelo Frammartino’s utterly unclassifiable Le quattro volte. Here, he talks to Jonathan Romney about charcoal, Calabrian folklore and the transmigration of souls
The late British director and cinematographer Richard Leacock may be less well known than other Direct Cinema pioneers, but his innovations at the start of the 1960s defined the standards of documentary filmmaking for years to come. By Brian Winston
The prolific Japanese director Miike Takashi is never afraid to shock audiences. But the shock with 13 Assassins is that he has delivered a classical samurai movie worthy of Kurosawa. By Christoph Huber
Joe Cornish’s uproarious aliens-versus-hoodies feature debut has street smarts to match its movie smarts, says Michael Brooke
Goats and their herdsmen, fir trees, dust and the Pythagorean philosophy of reincarnation are considered in the round in Michelangelo Frammartino’s remarkable portrait of rural Calabria. Nick Bradshaw is beguiled
A Welsh bromance cum valedictory road movie, this burnished feature debut from director Hatti Dalton and writer Vaughan Sivell never truly sheds its disease-movie trappings, says Kate Stables
The early films of Japanese master Naruse Mikio reveal a conflicted relationship with modernity, says Brad Stevens