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
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More than half a century after Breathless first catapulted him on to the world stage, Jean-Luc Godard is still challenging cinematic norms with his politically charged, poetic essay Film Socialisme. Gabe Klinger jump-cuts through key moments in the director’s life
A new DVD collection of films documenting British folk culture evokes a vanishing world for Philip Hoare
A model of adaptation, Across the Bridge cleverly expands Graham Greene’s original short story, says the screenwriter Paul Mayersberg
Robert Breer’s lifelong experiments with film intrigue Ian Francis
With Todd Haynes’s five-part miniseries of James M. Cain’s novel Mildred Pierce – already the inspiration for a 1945 film – HBO has produced a work of truly cinematic ambition, says Paul Julian Smith
PLUS Haynes tells Isabel Stevens how HBO gave him space to explore female experience in a way today’s Hollywood would never allow
Perhaps more than any other film, Alain Resnais’s Last Year in Marienbad lays itself open to esoteric interpretation. To celebrate its rerelease, Brian Dillon maps the film’s relationship to sculpture
PLUS Keith Reader uncovers the SM subtext beneath the elegance
Director Bertrand Tavernier has a flair for turning historical research into vivid drama, as he shows once again with The Princess of Montpensier. He talks to Demetrios Matheou
A new DVD collection of films documenting British folk culture evokes a lost world for Philip Hoare
PLUS Folk singer Shirley Collins remembers the pioneering field work of Alan Lomax and Peter Kennedy
Poetry is the first of Lee Chang-Dong’s films to secure big-screen release in the UK. But since his debut 15 years ago, the writer-director has played a crucial role in South Korea’s cultural and political life, says Tony Rayns
Michelangelo Antonioni’s L’avventura is now more influential than ever, argues Robert Koehler in the latest of our series on ‘top ten’ contenders for next year’s Sight & Sound poll
When the Japanese distributor Art Theatre Guild turned to production in the late 1960s, it unleashed a wave of extraordinary work from Japan’s boldest filmmakers – Oshima, Imamura, Terayama and many more. Alexander Jacoby surveys its legacy
Only the third film Jamie Thraves has managed to get made in over a decade, Treacle, Jr. confirms him as a British filmmaker with a distinctive comic touch and a sympathy for oddball outsiders, says Trevor Johnston
Intimate childhood memoir? Absurd sacred bluster? Michael Atkinson parses Terrence Malick’s ambitious Rorschach blot
Michael Atkinson marvels at the swoonsome beauty of a revived gem of 1970s Hungarian cinema
Sweet but terminally meandering, Mike Mills’ coming-to-terms-with-life story leans heavily on an ebullient sideshow from Christopher Plummer, says Kate Stables