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
Please view our back issues page for more information about obtaining previous months issues, dating back to 1995.
Mark Sinker compares the various artistic visionaries - from John Tenniel to Dennis Potter to Jan Svankmajer - who have put their stamp on Alice since 1865
PLUS (in the magazine) Go ask Alice: Tim Burton is only the latest film-maker to reinvent Alice in Wonderland in his own image. Kim Newman unpicks the interface of Burton and Lewis Carroll's imaginary worlds.
Scorsese’s Shutter Island may be a faithful adaptation of a bestseller, but it’s also his deeply felt homage to the cinema of the 1940s and 50s, says Graham Fuller, and a return to the paranoid interior world of Taxi Driver
With too many major film-makers saving their wares for Cannes, this year's Berlin Film Festival offered slim pickings. Nick James finds solace in genre thrillers and US indies.
PLUS Tony Rayns on the dire state of the Berlin Forum
PLUS Jonathan Romney on two very different minimalist masterpieces
Samson & Delilah captures both the harsh realities of Aboriginal life and a vivid sense of desert light and silence. Sophie Mayer talks to debut director Warwick Thornton
Freshly released on DVD in a restored version, Fritz Lang's seminal serial-killer thriller M endures both as a compelling document of its time - Berlin, 1931 - and as a harbinger of mass murders and psychosis to come. By Iain Sinclair
More than just a homage, Johan Grimonprez’s extraordinary montage uses Hitch’s mischievous TV appearances as the launch pad for a brilliant riff on Cold War politics and the idea of the double. By Jonathan Romney
The tale of Mad Dog Morgan pushes all the right buttons (except the anamorphic one), writes Tim Lucas
This adaptation of the first part of Stieg Larsson's Millennium trilogy is an ultraviolent and devastating whodunit with an unsettling political undertow, says Lisa Mullen
Sylvie Testud plays a wheelchair-bound miracle hunter in Jessica Hausner’s wry comedy of manners. Michael Brooke finds the results beguilingly odd